There was a certain womanly coquetry, mingled with a profound love of the
soil where her martyred mother reposed, in the desire which Marsa Laszlo
had to be called the Tzigana, instead of by her own name. The Tzigana!
This name, as clear cut, resonant and expressive as the czimbaloms of the
Hungarian musicians, lent her an additional, original charm. She was
always spoken of thus, when she was perceived riding her pure-blooded
black mare, or driving, attached to a victoria, a pair of bay horses of
the Kisber breed. Before the horses ran two superb Danish hounds, of a
lustrous dark gray, with white feet, eyes of a peculiar blue, rimmed with
yellow, and sensitive, pointed ears--Duna and Bundas, the Hungarian names
for the Danube and the Velu.
These hounds, and an enormous dog of the Himalayas, with a thick, yellow
coat and long, sharp teeth, a half-savage beast, bearing the name of
Ortog (Satan), were Marsa's companions in her walks; and their submission
to their young mistress, whom they could have knocked down with one pat
of their paws, gave the Tzigana reputation for eccentricity; which,
however, neither pleased nor displeased her, as she was perfectly
indifferent to the opinion of the public at large.
She continued to inhabit, near the forest of Saint-Germain, beyond the
fashionable avenues, the villa, ornamented with the holy Muscovite icon,
which Prince Tchereteff had purchased; and she persisted in remaining
there alone with old Vogotzine, who regarded her respectfully with his
round eyes, always moist with 'kwass' or brandy.
Flying the crowded city, eager for space and air, a true daughter of
Hungary, Marsa loved to ride through the beautiful, silent park, down the
long, almost deserted avenues, toward the bit of pale blue horizon
discernible in the distance at the end of the sombre arch formed by the
trees. Birds, startled by the horses' hoofs, rose here and there out of
the bushes, pouring forth their caroling to the clear ether; and Marsa,
spurring her thoroughbred, would dash in a mad gallop toward a little,
almost unknown grove of oaks, with thickets full of golden furze and pink
heather, where woodcutters worked, half buried in the long grass peppered
with blue cornflowers and scarlet poppies.
Public-domain text, read in full here on John Shaqi.
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