Poor Marsa, enthusiastic, inexperienced, her heart enamored with chivalrous audacity, intrepid courage, all the many virtues which were those of Hungary herself; Marsa, her mind imbued from her infancy with the almost fantastic recitals of the war of independence, and later, with her readings and reflections; Marsa, full of the stories of the heroic past-must necessarily have been the dupe of the first being who, coming into her life, was the personal representative of the bravery and charm of her race. So, when she encountered one day Michel Menko, she was invincibly attracted toward him by something proud, brave, and chivalrous, which was characteristic of the manly beauty of the young Hungarian. She was then twenty, very ignorant of life, her great Oriental eyes seeing nothing of stern reality; but, with all her gentleness, there was a species of Muscovite firmness which was betrayed in the contour of her red lips. It was in vain that sorrow had early made her a woman; Marsa remained ignorant of the world, without any other guide than Vogotzine; suffering and languid, she was fatally at the mercy of the first lie which should caress her ear and stir her heart. From the first, therefore, she had loved Michel; she had, as she herself said, believed that she loved him with a love which would never end, a very ingenuous love, having neither the silliness of a girl who has just left the convent, nor the knowledge of a Parisienne whom the theatre and the newspapers have instructed in all things. Michel, then, could give to this virgin and pliable mind whatever bent he chose; and Marsa, pure as the snow and brave as her own favorite heroes, became his without resistance, being incapable of divining a treachery or fearing a lie. Michel Menko, moreover, loved her madly; and he thought only of winning and keeping the love of this incomparable maiden, exquisite in her combined gentleness and pride. The folly of love mounted to his brain like intoxication, and communicated itself to the poor girl who believed in him as if he were the living faith; and, in the madness of his passion, Michel, without being a coward, committed a cowardly action. No: a coward he certainly was not. He was one of those nervous natures, as prompt to hope as to despair, going to all extremes, at times foolishly gay, and at others as grave and melancholy as Hamlet. There were days when Menko did not value his life at a penny, and when he asked himself seriously if suicide were not the simplest means to reach the end; and again, at the least ray of sunshine, he became sanguine and hopeful to excess. Of undoubted courage, he would have faced the muzzle of a loaded cannon out of mere bravado, at the same time wondering, with a sarcastic smile upon his lips, 'Cui bono'?