The sun was slowly descending in an atmosphere of fire, while toward
Havre a silvery mist over the hills and shore heralded the approach of
chaste Dian's reign. The reflections of the sunset tinged with red and
orange the fishing boats floating over the calm sea, while a long fiery
streak marked the water on the horizon, growing narrower and narrower,
and changing to orange and then to pale yellow as the disk of the sun
gradually disappeared, and the night came on, enveloping the now inactive
city, and the man who watched the disappearance of the last fragments of
a detested love, of the love of another, of a love which had torn and
bruised his heart. And, strange to say, for some inexplicable reason,
Prince Andras Zilah now regretted the destruction of those odious
letters. It seemed to him, with a singular displacement of his
personality, that it was something of himself, since it was something of
her, that he had destroyed. He had hushed that voice which said to
another, "I love you," but which caused him the same thrill as if she had
murmured the words for him. They were letters received by his rival
which the wind carried out, an impalpable dust, over the sea; and he felt
--such folly is the human heart capable of--the bitter regret of a man
who has destroyed a little of his past.
The shadows crept over him at the same time that they crept over the sea.
"What matters it how much we suffer, or how much suffering we cause," he
murmured, "when, of all our loves, our hearts, ourselves, there remains,
after a short lapse of time--what? That!" And he watched the last atom
of burned paper float away in the deepening twilight.
CHAPTER XXVIII
THE STRICKEN SOUL
His loneliness now weighed heavily upon Andras. His nerves were shaken
by the memories which the czardas of the Tzigani musicians had evoked;
and it seemed to him that the place was deserted now that they had
departed, and Varhely had gone with them. In the eternal symphony of the
sea, the lapping of the waves upon the shingle at the foot of the
terrace, one note was now lacking, the resonant note of the czimbalom
yonder in the gardens of Frascati. The vibration of the czimbalom was
like a call summoning up the image of Marsa, and this image took
invincible possession of the Prince, who, with a sort of sorrowful anger
which he regarded as hatred, tried in vain to drive it away.
What was the use of remaining at Sainte-Adresse, when the memories he
sought to flee came to find him there, and since Marsa's presence haunted
it as if she had lived there by his side?
Public-domain text, read in full here on John Shaqi.
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