Edme Pirot was a professor of theology at the Sorbonne. Born at Auxerre on August 12, 1631, he was of the same age as the Marchioness of Brinvilliers. His discussions with Leibnitz had made his name famous throughout Europe. His was an ardent and sensitive soul: his heart was torn when he came in contact with the griefs of others. 'The delicacy of my temperament was so great,' he said, 'that I could never bear the sight of blood, not even my own, and at one time I had turned quite faint at the sight of a wound being dressed, and never since ventured to come within sight of a similar operation.' He had an acute and subtle intellect, endowed with a remarkable faculty for psychological insight. President Lamoignon, in appointing the abbé Pirot to attend Madame de Brinvilliers, had given a fresh proof of his knowledge of men. He knew that the gentle and soul-stirring words of the priest would act on the heart of the prisoner, and perhaps obtain what all the machinery of justice had not succeeded in achieving--the revelation of her accomplices, the composition of her poisons and the proper antidotes to employ. 'It is for the public interest,' said Lamoignon to the abbé Pirot, 'that her crimes should die with her, and that she should acquaint us with all the consequences her poison might have, so far as she knows them; without which we should be unable to counteract them, and her poisons would survive her.' Further, it was his earnest desire to find in Pirot a priest whose exhortations would, at the hour of death, touch this rebellious soul and set it on the narrow road to salvation. The good abbé has described the last day of Madame de Brinvilliers minute by minute. His story fills two volumes, one of the most extraordinary monuments literature can show. It is written with no regard for artistic effect: the conversations are reported at length, with repetitions and interminably wearisome details; but the clear, exact, and flowing style, the just and restrained expression of the keenest passions, continually remind us of the tragedies of Racine. _Phédre_ and the abbé Pirot's story were composed in the same year; if the priest had given any thought to the public as he wrote, and had paid some attention to his style and to the avoidance of repetitions and prolixity, posterity unquestionably might well have signed both works with the same name. Michelet has strikingly described the appearance of the priest in the tower of the Conciergerie:-- 'Quaking with terror, Pirot was ushered into the Conciergerie, and taken to the top of the Montgommery tower; there he entered a room in which there were four persons--two warders, a wardress, and, farthest away from him, the monster.