"I don’t know," said Nancy; "I can’t say. Other people have made
fortunes; other people have done well by writing; why should not I?"
"As if _you_ would ever make a fortune!" said Mrs. Macdonald, with the
contemptuousness of a woman to whom the struggle of life had been hard
and to whom pounds, shillings and pence in the very hand were the only
proofs of reason for what she called "wasting time" over story-writing.
"Well, if not a fortune, at least a comfortable income," said Nancy
eagerly; "and if I did, Mother, I should give it all to you!"
"Thank you for nothing, my dear," was the ungracious reply.
To this Nancy made no answer. She carried the big basket of stockings
to the window, and sat down in the cold winter light to do such repairs
as were necessary. Poor child! It was a hard fate for her. She was the
eldest of a family of five, all dependent on the exertions of her
widowed mother in keeping afloat the big boarding-house by which they
lived. For a boarding-house, be it ever so liberally managed, be the
receipts ever so generous, is but a sordid abode, especially to those
who have the trouble and care of managing it; and to an eldest daughter,
and one who stands between the anxious mother and the younger children,
who mostly resemble young rooks with mouths chronically open, such a
life appears perhaps more sordid than it does to any one else.
To Nancy Macdonald, with her mind full of visionary beauty, and living
daily in a world of her own--not a world of boarding-houses--the life
they lived seemed even more sordid, more trivial, more petty, than it
was in reality. Her wants were not many; she was never inclined to rail
at fate because she had not been born with a silver spoon in her mouth,
not at all. But if only she could have a quiet home, with an assured
income, just sufficient to cover their modest wants, to provide good
wholesome food, to buy boots and shoes for the little ones, to pay the
wages of a good servant, to take those lines of anxious care from her
mother’s forehead, so that she could employ her leisure in cultivating
her Art--she always called it her Art, poor child!--she would have been
perfectly happy, or she _thought_ she would have been perfectly happy,
which, in the main, amounted to the same thing. As she sat in the cold
light of that winter’s afternoon, darning, as if for dear life, the
great pile of stockings which were her portion, she soon drifted away
from the tall Bloomsbury dwelling into a bright, brilliant land of
romance, where there were no troubles, no cares, where nothing was
sordid, and everything was bright and rosy, and even troubles and
worries might have been adequately described as "double water gilt."
Public-domain text, read in full here on John Shaqi.
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