Francis? Greek architecture and Greek sculpture mean little more
than the Parthenon and its friezes. What survives of Greek poetry will
scarcely fill one bookshelf, and English poetry, which forms the greater
part of the rest of the poetry of the human race, would rest easily on
three. The building of the Middle Ages is nothing but the repetition of
one inspiration, which would remain transmitted to us almost in its
entirety were the Cathedral of Freiburg the only specimen left to us. A
single gallery of the Vatican would provide wall-room sufficient for all
the paintings of the world that are able to fill with satisfying peace
the eye which has been educated by Botticelli, Luini, and Raphael. An
ordinary life affords abundant leisure to take in all that two hundred
generations of mankind have so done as to fill the craving for what all
men feel to be alone satisfyingly human. That is to say, one man in
twenty millions or so has been able, during some--often very
small--proportion of his life, to be and to do that which all men, when
they behold such being and doing, feel to be their natural though
utterly unattainable prerogative. Thousands and thousands climb, with
praiseworthy struggles and integrity of purpose and with shouts of
“Excelsior!” the minor peaks of life; while two or three in a generation
are seen walking with easy breath about those great and tranquil
table-lands for which all of us, on beholding them, feel that we were
born. It is not that, in a world of inequalities, some two or three in a
generation must naturally stand higher than all the rest, as only one
among many competitors can be Senior Wrangler. That fuller excellence is
a region, and not a pinnacle; and those who reach it are all upon a
great and facile equality, their altitude being simply that of right and
unhindered human faculty.
Public-domain text, read in full here on John Shaqi.
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