The assertion that the value of the words of a poet does and ought to
depend very much upon his personal character may seem, at the first
glance, a violent paradox; but it is demonstrably true. A wise or tender
phrase in the mouth of a Byron or a Moore will be despised, where a
commonplace of morality or affection in that of a Wordsworth or a Burns
is respected. If the author of _Don Juan_ had said that for him “the
meanest flower that blows could give thoughts that do often lie too deep
for tears,” as he would have said had it occurred to him to do so, no
one would have believed him; it would have passed for a mere “poetical
licence,” and would have been excused as such and forgotten. Byron and
Wordsworth have both declared in words of similar force and beauty that
the sights and sounds of nature “haunted them like a passion.” But the
declaration was not consistent with what we know of Byron, and it was
consistent with what we know of Wordsworth; and in the one case it
creates a like frame of mind in the reader, while in the other it passes
like a melodious wind, leaving no impression. Now this mighty element of
character resides, not in the poet’s active life, by which he is and
ought to be socially judged; but in the spiritual consistency and
integrity of his mind and heart, as it is to be inferred from the
cumulative testimony of his words, which are, after all, the safest
witnesses of what the man truly is. A man’s actions--although we are
bound socially to judge him thereby--may belie him: his words never. Out
of his mouth shall the interior man be judged; for the interior man is
what he heartily desires to be, however miserably he may fail to bring
his external life into correspondence with his desire; and the words of
the man will infallibly declare what he thus inwardly is, especially
when, as in the case of the poet, the powers of language are so
developed as to become the very glass of the soul, reflecting its purity
and integrity, or its stains and insincerities, with a fidelity of which
the writer himself is but imperfectly conscious.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account