when they propose antidotes for evils which they so clearly see, but for
which they do not see that there are no antidotes, but only palliatives.
Looking for what they fancy may be, when their vocation is to proclaim
with clearness that which is, one poet will shriek to us (for untruths
cannot be sung) that all will be well when King Log is down and King
Stork reigns in his stead; another that Niagara may yet be dammed if
country gentlemen will hire drill-sergeants to put their gardeners and
farm-labourers through the goose-step; another says the world will be
saved if a few gentlemen and ladies, with nothing better to do, will
take to playing at being their own domestics; a fourth, in order to save
morals, proposes their abolition; a fifth proclaims that all will have
good wages when there remains no one to pay them; a sixth discovers in
the science of the future a sedative for human passions instead of a
wider platform for their display; and so on. Others, who have no patent
medicines on hand, impotently grumble or rage at evils in which, if they
looked steadily, they might discern the good of justice, or that of
trial, or both (as great poets in past times always have done); and,
instead of truly singing, they sob hysterical sympathy with such
sufferings in others as, if they were their own, they either would bear
or know that they ought to bear with equanimity.
The statesman, the social reformer, the political economist, the natural
philosopher, the alms-giver, the hospital visitor, the preacher, even
the cynical humorist, has each his function, and each is rightly more or
less negative; but the function of the poet is clearly distinguished
from all of these, and is higher though less obtrusive than any. It is
simply affirmative of things which it greatly concerns men to know, but
which they have either not discovered or have allowed to lapse into the
death of commonplace. He alone has the power of revealing by his insight
and magic words the undreamt-of mines of felicity which exist
potentially for all in social relationships and affections. The
inexhaustible glories of nature are a blank for many who are yet able to
behold them reflected in his perceptions. His convincing song can
persuade many to believe in, if they do not attain to taste--as he, if
indeed he be a poet, must have tasted--the sweet and wholesome kernel
which the rough shell of unmerited suffering conceals for those who are
patient. And he can so contemplate the one real evil in the world as to
give body and life and intelligibility to that last and sharpest cry of
faith, “O felix culpa!”
Public-domain text, read in full here on John Shaqi.
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