After Shelley, the chief male figure in this romance--which would be
altogether incredible were it not real--is that of the guide,
philosopher, and friend of the poet’s youth, Godwin. Pecksniff is
genteel comedy compared with the grim farce of this repulsive lover of
wisdom as embodied in himself. Like the German poet who was entrusted by
one friend to be the bearer of a sausage to another, and, bit by bit,
ate it all on his way, Godwin “sincerely abhorred all that was sordid
and mean; but he liked sausage”; and the way he combined the necessity
for nibbling at Shelley’s future fortune by making incessant claims,
which the latter could only satisfy by repeated and ruinous post-obits,
with the other necessity for keeping up the insulted and injured dignity
of a man whom Shelley had wronged past pardon, is funny beyond
description. His writing to tell Shelley that he had insulted him by
giving him a heavy sum of money in the form of a cheque made payable to
his (Godwin’s) own name, thereby making the gift liable to be construed
as such by the banker, and threatening solemnly not to receive the gift
at all, unless the name was changed to “Hume” or any other the poet
might select, is a touch which Shakespeare might have coveted for
Ancient Pistol.
It appears that there still exists a good deal of writing by and
concerning Shelley which it has not been deemed expedient to publish. A
footnote, for instance, assures us that “a poetical epistle to Graham
referring to his father in odious terms” is still “in existence”; and
various other unprinted letters and poems are alluded to. But it is
scarcely to be supposed that any future _Life of Shelley_ will supersede
Professor Dowden’s--unless, indeed, it should be an abridgment, more
suitable in bulk and perhaps in tone than the present publication is,
for the use of those who, undazzled, or possibly repelled, by the
glamour of Shelley’s personality and revolutionary convictions, admire
the meteoric splendour of his genius and allow it its not unimportant
place in the permanent literature of England.
XV
BLAKE
Public-domain text, read in full here on John Shaqi.
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