Since the flame produced by the above device is not perfectly constant,
being more intense at the moment of introducing a fresh portion of
the fused salt, the author has used a lamp designed to furnish an
absolutely constant flame.[39] This device which is shown in Fig. 34,
is based on the principle of adding constantly a fresh portion of the
salt to the flame. The flame is thus kept perfectly uniform in its
intensity.
The lamp consists essentially of two wheels with platinum gauze
perimeters and platinum wire spokes, driven by a clock-work D, and
mounted by the supports AAʹ as shown in the figure. The sodium salt,
chlorid or bromid, in dilute solution, is placed in the porcelain
crucibles F, supported by BBʹ as indicated in the figure, to such a
depth that the rims of the platinum wheels dip beneath the surface as
they revolve. The salt is volatilized by the lamp E. By means of the
crossed bands the wheels are made to revolve in opposite directions
as indicated by the arrows. The solution of the salt which is taken
up by the platinum net-work of the rim of the wheel, thus has time
to become perfectly dry before it enters the flame and the sputtering
which a moist salt would produce is avoided. At every instant, by this
arrangement, a minute fresh portion of salt is introduced into the
flame with the result of making a perfectly uniform light which can
be used for hours without any perceptible variation. The mechanism of
the apparatus is so simple that no further description is necessary.
The polariscope should be so directed toward the flame as to bring
into the field of vision its most luminous part. The platinum wheels
are adjustable and should be so arranged as to produce between them an
unbroken yellow flame. The wheels are eight centimeters in diameter and
are driven at a rate to make one revolution in from six to ten minutes.
[Illustration: FIGURE 34. LAMP FOR PRODUCING CONSTANT MONOCHROMATIC
FLAME.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account