Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
What then is the difference between understanding a situation
and the more usual reactions to it? It is a difference in the
degree of organisation of the impulses which it arouses. It is
the difference between a systematised complex response, or ordered
sequence of responses, and a welter of responses. We must not
take ‘understanding’ in too specialised a sense here, or we shall
overlook the immense importance of this difference in determining
revival. We are accustomed to make an artificial distinction
between intellectual or theoretical and non-intellectual or emotional
mental activities. To understand a situation in the sense here
intended is not necessarily to reflect upon it, to inquire into
its principles and consciously distinguish its characters, but
to respond to it as a whole, in a coherent way which allows its
parts their due share and their proper independence in the response.
Experience which has this organised character, it is reasonable
to suppose, has more chance of revival, is more available as
a whole and in parts, than more confused experience.
Contrast the behaviour of the sleepy and the fully awake, of
the normal man with the lightly and the more deeply anæsthetised
patient, of the starved or fevered with the healthy. To describe
these differences in neural potency, and to mark the degree of
physiological efficiency, Dr Head has recently[57] suggested the
term _vigilance_, a useful addition to our symbolic machinery.
In a high state of vigilance the nervous system reacts to stimuli
with highly adapted, discriminating, and ordered responses; in
a lowered state of vigilance the responses are less discriminating,
less delicately adapted. Whether we are considering the decerebrate
preparation or the intact poet, the simplest automatisms or the
most highly conscious acts, what happens in a given stimulus
situation varies with the vigilance of the appropriate portion
of the nervous system. The point as regards revival can be put
conveniently by saying that experiences of high vigilance are
the most likely to be available. The degree of vigilance of the
individual at the moment at which revival is attempted is, of
course, equally but more evidently an important factor.
The answer then, at least in part, to the problem of how the
poet’s experience is more than usually available to him is that
it is, as he undergoes it, more than usually organised through
his more than usual vigilance. Connections become established
for him which in the ordinary mind, much more rigid and exclusive
in its play of impulses, are never effected, and it is through
these original connections that so much more of his past comes
to be freely revivable for him at need.
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