Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
Those who have attempted to find a place in the whole structure
of life for the arts have often made use of the conception of
Play; and Groos and Herbert Spencer are famous exponents of the
theory. As with so many other Æsthetic Doctrines the opinion
that Art is a form of Play may indicate either a very shallow
or a very penetrating view. All depends upon the conception of
Play which is entertained. Originally the view arose in connection
with survival values. Art, it was thought, had little practical
value of the obvious kinds, so some indirect means must be found
by which it could be thought to be of service. Perhaps, like
play, it was a means of harmlessly expending superfluous energy.
A more useful contribution was made when the problem of the value
of play itself was seriously attacked. The immense practical
utility of most forms of play then became evident. Characteristically
play is the preparatory organisation and development of impulses.
It may easily become too narrowly specialised, and the impulses
active may be such as never to receive ‘serious’ exercise. None
the less with our present understanding of the amazingly recondite
interactions between what appear to be totally different activities
of the nervous system, the importance of play is not likely to
need much insistence.
There are many human activities which, fortunately or unfortunately
as the case may be, are no longer required of or possible to
civilised man. Yet their total discontinuance may lead to grave
disturbances. For some of these play serves as an opportunity.
The view that art provides in some cases an analogous outlet
through vicarious experience has naturally been put forward,
notably by Mr Havelock Ellis. “We have lost the orgy, but in
its place we have art[77].” If we do not extend the ‘sublimation’
theory too far or try to bring under this Safety-valve heading
work with which it has no concern, it may be granted that in
some cases the explanation is in place. But the temptation to
extend it, and so to misconceive the whole matter, is great.
Public-domain text, read in full here on John Shaqi.
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