Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
For the demarcation of the fields where impulse should be as
completely as possible dependent upon and correspondent with
external situation, those in which reference should take prior
place from those in which it may be subordinated to appetencies
with advantage, is not a simple matter. On many views of the
good and of what should be, themselves results of subordinating
reference to emotional satisfactions, there could be no question.
Truth, it would be said, has claims prior to all other considerations.
Love not grounded upon knowledge would be described as worthless.
We ought not to admire what is not beautiful and if our mistress
be not really beautiful when impartially considered we ought,
so the doctrine runs, to admire her, if at all, for other reasons.
The chief points of interest about such views are the confusions
which make them plausible. Beauty as an internal quality of things
is usually involved, as well as Good the unanalysable Idea. Both
are special twists given to some of our impulses by habits deriving
ultimately from desires. They linger in our minds because to
think of a thing as Good or Beautiful gives more _immediate_
emotional satisfaction than to _refer_ to it as satisfying
our impulses in one special fashion (cf. Chapter VII) or another
(cf. Chapter XXXII).
To think about Good or Beauty is not necessarily to refer to
anything. For the term ‘thinking’ covers mental operations in
which the impulses are so completely governed by internal factors
and so out of control of stimulus that no reference occurs. Most
‘thinking of’ includes reference in some degree, of course, but
not all, and similarly much reference would not commonly be described
as thinking. When we drop something which is too hot to hold
we would not usually be said to have done so through thinking.
The two terms overlap, and their definitions, if there be a definition
of ‘thinking’ as commonly used, are of different types. This
is why ‘Thought’ was on an earlier page described as marking
an oblique distinction.
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