Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
A friendly reviewer, Mr. Conrad Aiken, complains that my theory
of value is not sufficiently relativistic, that it inevitably
involves the surreptitious re-entrance of the ‘absolute’ value
which we had been at such pains to exclude. Except for the word
‘surreptitious’ and the suggestion that the ‘absolute’ value
we arrive at is the same thing as the ultimate idea discussed
in Chapter VI., I agree to this. The purpose of the theory is
just to enable us to compare different experiences in respect
of their value; and their value, I suggest, is a quantitative
matter. To put it briefly the best life is that in which as much
as possible of our possible personality is engaged. And of two
personalities that one is the better in which there is more which
can be engaged without confusion. We all know people of unusually
wide and varied possibilities who pay for their width in disorder,
and we know others who pay for their order by narrowness. What
the theory attempts to provide is a system of measurement by
which we can compare not only different experiences belonging
to the same personality but different personalities. We do not
yet know how to make the measurements required. We have to use
the roughest kinds of estimates and very indirect indications.
But to know at least what would have to be measured if we were
to reach precision and how to make the comparison is a step towards
the goal. The parallel, though I am not fond of it, between the
new absolutism which Relativity has reached and this quantitative
way of comparing the experiences and preferences of individuals
may perhaps be helpful. But whereas the physicist has measurements
to work from, the psychologist as yet has none. And further,
it is likely that modes of mental organisation which are at present
impossible or dangerously unstable may become possible and even
easy in the future with changes in social structure and material
conditions. This last consideration might give any critic a nightmare.
Nothing less than our whole sense of man’s history and destiny
is involved in our final decision as to value.
APPENDIX B.
THE POETRY OF T. S. ELIOT
We too readily forget that, unless something is very wrong with
our civilisation, we should be producing three equal poets at
least for every poet of high rank in our great-great-grandfathers’
day. Something must indeed be wrong; and since Mr. Eliot is one
of the very few poets that current conditions have not overcome,
the difficulties which he has faced, and the cognate difficulties
which his readers encounter, repay study.
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