Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
It has always been found far more easy to divide experiences[15]
into good and bad, valuable and the reverse, than to discover
what we are doing when we make the division. The history of opinions
as to what constitutes value, as to why and when anything is
rightly called good, shows a bewildering variety. But in modern
times the controversy narrows itself down to two questions. The
first of these is whether the difference between experiences
which are valuable and those which are not can be fully described
in psychological terms; whether some additional distinctive ‘ethical’
or ‘moral’ idea of a non-psychological nature is or is not required.
The second question concerns the exact psychological analysis
needed in order to explain value if no further ‘ethical’ idea
is shown to be necessary.
The first question will not detain us long. It has been ably
maintained[16] and widely accepted that when we say that an experience
is good we are simply saying that it is endowed with a certain
ethical property or attribute not to be reduced to any psychological
properties or attributes such as being desired or approved, and
that no further elucidation of this special ethical property
by way of analysis is possible. ‘Good’ on this view is in no
way a shorthand term for some more explicit account. The things
which are good, it is held, are just good, possess a property
which can be recognised by immediate intuition, and here, since
good is unanalysable, the matter must rest. All that the study
of value can do is to point out the things which possess this
property, classify them, and remove certain confusions between
ends which are good in themselves and means which are only called
good, because they are instrumental in the attainment of intrinsically
good ends. Usually those who maintain this view also hold that
the only things which are good for their own sakes and not merely
as a means are certain conscious experiences, for example, knowledge,
admiring contemplation of beauty, and feelings of affection and
veneration under some circumstances. Other things, such as mountains,
books, railways, courageous actions, are good instrumentally
because, and in so far as, they cause or make possible states
of mind which are valuable intrinsically. Thus the occurrence
of states of mind which are recognised as good is regarded as
an isolated fact of experience, not capable of being accounted
for, or linked up with the rest of human peculiarities as a product
of development in the way made familiar by the biological sciences.
The plausibility of this view derives principally from the metaphysical
assumption that there are properties, in the sense of subsistent
entities, which attach to existent particulars, but which might
without absurdity be supposed to attach to nothing.
Public-domain text, read in full here on John Shaqi.
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