Principles of literary criticismRichards, I. A. (Ivor Armstrong)
Philosophy
Principles of literary criticism
Richards, I. A. (Ivor Armstrong)
Criticism
We may compare with this a famous utterance of another aristocrat,
equally a supreme artist, equally in rebellion against the whole
fabric of conventional civilisation, whose “passion for reforming
the world” was not less than Tolstoy’s, but who differed from
him in the possession of a wider and more complete sense of values
and a mind not riven and distorted by a late conversion.
“The whole objection of the immorality of poetry rests upon a
misconception of the manner in which poetry acts to produce the
moral improvement of man. Ethical science arranges the elements
which poetry has created, and propounds schemes and proposes
examples of civil and domestic life: nor is it for want of admirable
doctrines that men hate, and despise, and censure, and deceive
and subjugate one another.
“But poetry acts in a diviner manner. It awakens and enlarges
the mind itself by rendering it the receptacle of a thousand
unapprehended combinations of thought. Whatever strengthens and
purifies the affections, enlarges the imagination, and adds spirit
to sense, is useful. It exceeds all imagination to conceive what
would have been the moral condition of the world if neither Dante,
Petrarch, Boccaccio, Chaucer, Shakespeare, Calderon, Lord Bacon,
nor Milton, had ever existed.”
It is curious how the insertion of particular names here seems
to weaken the argument. The world, we feel fairly certain, would
be on the whole much the same even if there had been no Boccaccio
and no Lord Bacon. Things would not be very different, some people
will think, even if none of these authors had ever bestirred
themselves to write. Shakespeare, as so often, would perhaps
be counted an exception. But this sense that there are, after
all, very few poets who individually make much difference is
not in the least an objection to Shelley’s main thesis. We could
bale a vast amount of water out of the sea without making any
apparent difference to it, but this would not prove that it does
not consist of water. Even if the removal of the influence of
all the poets whose names we know made no appreciable difference
in human affairs, it would still be true that the enlargement
of the mind, the widening of the sphere of human sensibility,
is brought about through poetry.
Public-domain text, read in full here on John Shaqi.
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