Printers' Marks: A Chapter in the History of TypographyRoberts, W. (William)
History
Printers' Marks: A Chapter in the History of Typography
Roberts, W. (William)
Printers' marks
These few introductory facts, condensed from Mr. Bradshaw’s paper above
mentioned, have a distinct interest to us as leading up to the
employment of the Printer’s Mark. It is certainly curious that at
Caxton’s press the very familiar device was only first used about
Christmas, 1489, in the second folio edition of the Sarum “Ordinale.” At
first this bold and effective mark was used, as in the “Ordinale,” the
“Dictes of the Philosophers,” and in the “History of Reynaud the Fox,”
at or close to the beginning of the volume. In Caxton’s subsequent books
it is always found at the end. At the St. Albans press the device with
“Sanctus Albanus” is found in two of the eight books printed there, “The
English Chronicle,” 1483, where it is printed in red, and in “The Book
of Hawking,” etc., 1486; it is formed of a globe and double cross, there
being in the centre a shield with a St. Andrew’s cross.
So far as regards Caxton’s device, it is easier to name the books in
which it appeared than to explain its exact meaning. The late William
Blades accepts the common interpretation of “W. C. 74.” Some
bibliographers argue that the date refers to the introduction of
printing in England, and quote the colophon of the first edition of the
“Chess” book in support of this theory. But the date of this work refers
to the translation and not to the printing, which was executed at
Bruges, probably in 1476. Caxton did not settle at Westminster until
late in that year, and possibly not until 1477. In all probability the
date, supposing it to be such, and assuming that it is an abbreviation
of 1474, refers to some landmark in our printer’s career. Professor
J. P. A. Madden, in his “Lettres d’un Bibliophile,” expresses it as his
opinion that the two small letters outside the “W. 74 C” are an
abbreviation of the words “Sancta Colonia,” an indication that a notable
event in the life of Caxton occurred in 1474 at Cologne. Ames, Herbert,
and others have copied a device which Caxton never used: it is much
smaller than the genuine one (which, in other respects, it closely
resembles) which we reproduce from Berjeau. The opinion that the
interlacement is a trade mark is, Mr. Blades points out in his
exhaustive “Life,” much strengthened by the discovery of its original
use. In 1487, Caxton, wishing to print a Sarum Missal, and not having
the types proper for the purpose, sent to Paris, where the book was
printed for him by G. Maynyal, who in the colophon states distinctly
that he printed it at the expense of William Caxton of London. When the
printed sheets reached Westminster, Caxton, wishing to make it quite
plain that he was the publisher, engraved his design and printed it on
the last page, which happened to be blank. Mr. Blades gives 1487 as the
year in which this Missal (of which only one copy is known) was printed,
but Mr. Bradshaw puts it at 1489. The former enumerates twelve books
printed by Caxton in which his device occurs--all ranging from the
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account