By the end of 1472 the three companions had issued thirty works, apparently without indulging in the luxury of a Mark, but their patrons separating they had to leave the Sorbonne. Their new quarters were at the sign of the “Soleil d’Or” in the Rue St. Jacques--the Paternoster Row of Paris. Here they remained until 1477, when Gering was the sole proprietor. He was joined in 1480 by George Mainyal, and in 1494 by Bertholt Rembolt, and died in August, 1510. Within thirty years of the introduction of printing into Paris, there were nearly ninety printers, who issued nearly 800 works between 1470 and 1500. Rembolt, who succeeded Gering and preserved the sign of his office, was one of the earliest, if not the first to adopt a Mark, of which indeed he used four more or less distinct examples. We reproduce one of the rarest; his best known is a highly decorative picture, and has a shield (carrying a cross with the initials B. R. in the lower half of the circle which envelopes the foot of the cross) suspended from a vine tree and supported by two lions. Of this Mark there are at least two sizes; another of his Marks consisted of an enlarged form of the cross to which we have referred. [Illustration: B. REMBOLT. BERCHTOLDVS R] After Rembolt, the interest of the Printer’s Mark in France diverges into a number of directions. The most prolific printer was, perhaps, Antoine Vérard, who, dying in 1530, issued books continuously for about forty-five years: he was also a calligrapher, an illuminator, and a bookseller; his Books of Hours led the way for the beautiful productions of Simon Vostre, whilst his chief “line” consisted of romances, of which there are over a hundred printed on vellum and ornamented with beautiful miniatures. He had two Marks, one of which, consisting simply of the two letters A. V., is accompanied by the lines: “Pour proquer la grand’ miséricorde, A tous pescheurs faire grâce et pardon, Antoine Vérard humblement te recorde.”