Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New YorkSlater, John Rothwell
History
Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New York
Slater, John Rothwell
Printing -- History -- Origin and antecedents; Renaissance
The third printer whom I have selected as typical of the Renaissance is
Johann Froben, of Basel. His chief distinction is that he was the
closest friend and associate of Erasmus, the principal publisher of
Erasmus's works, and the representative in the book trade of the
Erasmian attitude toward the Reformation. Although he did print the
Greek Testament, years before Estienne published his edition in Paris,
he accompanied it with no distinctively Protestant comments. Although at
one time he issued some of the earlier works of Luther, he desisted
when it became evident that Erasmus opposed any open schism in the
Church. It was Froben who gave to the world those three famous works of
Erasmus, the Encomium Moriae or Praise of Folly, the Adagia or Proverbs,
and the Colloquia or Conversations, which did quite as much as the
writings of Luther to arouse independent thinking within the Church, and
to bring to an end the last vestiges of the middle ages in church and
state. And in this relation of Froben to Erasmus there was not the mere
commercial attitude of a shrewd publisher toward a successful author
whose works became highly lucrative, but the support by one enlightened
scholar who happened to be in a profitable business of another who
happened to be out of it. The earlier life of Erasmus exhibits a rather
depressing illustration of the humiliations to which professional
scholars were exposed in trying to get a living from the pensions and
benefactions of the idle rich. Literary patronage, as it existed from
the days of Horace and Maecenas down to the death-blow which Dr. Johnson
gave it in his famous letter to Lord Chesterfield, has never helped the
independence or the self-respect of scholars and poets. It was Froben's
peculiar good fortune to be able to employ, on a business basis with a
regular salary, the greatest scholar of the age as one of his editors
and literary advisers, and at the same time enable him to preserve his
independence of thought and of action. Aldus and the French publishers
had gathered about them professional scholars and experts for the
execution of specific tasks at the market price, supplemented often by
generous private hospitality. That was good; but far better was Froben's
relation with his friend, his intellectual master, and his profitable
client Erasmus. In an age when no copyright laws existed for the
author's benefit the works of Erasmus were shamelessly pirated in
editions, published in Germany and France, from which the author
received not a penny. Yet Froben went right on paying to Erasmus not
only the fixed annual salary as a member of his consulting staff but
also a generous share of the profits upon his books. In a greedy,
unscrupulous, and rapacious age this wise and just, not to say generous,
policy stands out as prophetic of a better time.
Public-domain text, read in full here on John Shaqi.
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