Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New York — John Shaqi
Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New YorkSlater, John Rothwell
History
Printing and the Renaissance: A paper read before the Fortnightly Club of Rochester, New York
Slater, John Rothwell
Printing -- History -- Origin and antecedents; Renaissance
In all these early German books, printed of course in Latin, the type
used was the black-letter. Gutenberg, in designing his first font,
evidently tried to imitate as closely as possible the angular gothic
alphabet employed by the scribes in the best manuscripts. Not only were
the letters identical in form with the engrossing hand of the monks, but
the innumerable abbreviated forms used in the Latin manuscripts were
retained. Thus a stroke over a vowel indicated an omitted =m= or =n=, a
=p= with a stroke across it indicated the Latin prefix =per=, a circle
above the line stood for the termination =us=, an =r= with a cross
meant--=rum=, and so forth. These abbreviations, which make printed
books of the earliest period rather hard reading today, were retained
not only to save space but to give the printed page as nearly as
possible the appearance of a fine manuscript. It was not at first the
ambition of the printers and type-founders to make their books more
legible or less taxing on the eyes than manuscript; their readers were
accustomed to manuscript and felt no need of such improvements. The
mechanical advance in the art of writing brought about by printing was
at first regarded as consisting in the greater rapidity and lower cost
at which printed books could be produced.
But the new invention was at first looked upon by some famous scholars
and patrons of learning as a detriment rather than a help. The great
Trithemius, abbot of Sponheim, wrote as late as 1494 in the following
terms:
"A work written on parchment could be preserved
for a thousand years, while it is probable that no
volume printed on paper will last for more than
two centuries. Many important works have not been
printed, and the copies of these must be prepared
by scribes. The scribe who ceases his work because
of the invention of the printing-press can be no
true lover of books, in that, regarding only the
present, he gives no due thought to the
intellectual cultivation of his successors. The
printer has no care for the beauty and the
artistic form of books, while with the scribe this
is a labor of love."
Public-domain text, read in full here on John Shaqi.
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