Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 65243-h.htm or 65243-h.zip: (http://www.gutenberg.org/files/65243/65243-h/65243-h.htm) or (http://www.gutenberg.org/files/65243/65243-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/printsbriefrevie01rich PRINTS A BRIEF REVIEW OF THEIR TECHNIQUE AND HISTORY [Illustration: HERODOTUS. VENICE, 1494] PRINTS A Brief Review of Their Technique and History by EMIL H. RICHTER With Illustrations Boston and New York Houghton Mifflin Company The Riverside Press Cambridge 1914 Copyright, 1914, by Houghton Mifflin Company All Rights Reserved Published November 1914 PREFACE Prints have long been an undisturbed domain of the collector and scholarly connoisseur. Centuries of study and research are resulting in the identification and description of this vast amount of material. The literature on prints embodies these results in the form of handbooks, histories, catalogues for reference, essays, and specializing treatises. These are written primarily for the use of students and collectors, with the elaboration and detail requisite for this class of readers. Manifestations of a widening interest are more evident every day. With this broadening popular interest has come a demand for a plain, short explanation of “prints.” In the absence of such a brief review and in answer to repeated inquiries, a series of lectures were prepared and delivered--some years ago--by the writer. These lectures are herewith offered, in slightly revised form, to those interested in the nature and development of prints. This little book is not a compendium of the graphic arts, just an introduction. Brevity and simplicity have been aimed at, the purpose being to awaken interest and convey initial information conducive to further study. The charm and value of a print lies essentially in the _quality_ of line or tone peculiar to the process employed in its making. These cannot be rendered adequately by the half-tone illustrations which accompany these pages. The prints themselves must be seen to be truly appreciated and understood. CONTENTS I. HOW PRINTS ARE MADE 1 Introductory, 1. Bank note and magazine illustration, 3. Three main divisions of processes. Woodcut, 4. Wood-engraving, 5. Engraving, 6. Dry-point, mezzotint, 8. Etching, 9. Lithography, 10. The printing presses used, 11. II. THE ORIGIN OF WOODCUT 12