Priscilla and Charybdis: A Story of AlternativesMoore, Frank Frankfort
General
Priscilla and Charybdis: A Story of Alternatives
Moore, Frank Frankfort
Fiction
It was a triumphal progress of Mr. and Mrs. Wingfield from the railway
station to the Manor. Never could such a home-coming have been looked
for by either Jack or Priscilla when, in accordance with the terms of an
agreement which they had entered into at the office of the registrar of
marriages, they had left that station a couple of months earlier,
she having returned to Framsby for one day only from her visit to her
Dorsetshire friends, and he from his interesting interview with his
promising agent.
The sun had just set when the carriage was dragged along the road to the
Manor House, the crowds trotting on each side. It was a warm evening,
and they were getting into fine form for the beer which they knew was
awaiting them. On through the gates and up the avenue the carriage
was dragged. The band had been left some distance behind, so they were
spared any more suggestions of the “Conquering Hero,” but the full choir
of the Framsby Glee and Madrigal Meistersingers now ranged around the
Georgian porch, and in response to the beat of Mr. Tutt, struck into
“Hail to the Chief that in Triumph Advances,” and the effect was
certainly admirable, especially as the blackbirds and the thrushes
supplied an effective obbligato from the shrubberies. There are several
stanzas to that stirring chorus, and the young couple had ample time to
greet Mrs. Wingfield, who had come to the head of the steps of the porch
to welcome them, before the strains had come to a legitimate close. Jack
had also time to ask the butler if he had made any arrangements about
those casks of beer, and to receive a satisfactory reply.
When the last notes of the melody had died away and the cheers began
once more, he stood with Priscilla by his side (she was carrying the
beautiful bouquet with which she had been presented: every flower had
come from the garden before her) at the top of the steps.
“My dear friends,” he began, and then he said the rest of what everyone
expected him to say--even his final words, referring exclusively to
the drinking of his health and the health of Mrs. Wingfield, were not
unexpected--at any rate, they were quite as well received as any part
of his speech; and then came the true and legitimate rendering of the
anthem which marks the apotheosis of the orator, “For He’s a Jolly Good
Fellow,” followed by the “Hip, hip, hip, hooray!” thrice repeated, with
one cheer more in case that the enthusiasm had not found an adequate
vent by the triplex scheme, though the latter certainly did not seem to
be ungenerous in its application.
The butler responded to the sentiment of the cheer.
Public-domain text, read in full here on John Shaqi.
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