Priscilla and Charybdis: A Story of AlternativesMoore, Frank Frankfort
General
Priscilla and Charybdis: A Story of Alternatives
Moore, Frank Frankfort
Fiction
And there the young widow sat at the open window, conscious of no
impression beyond that which she had frequently acquired from reading a
novel at the same window. She felt that she had been reading an account
of a wreck in a novel, in which the hero lost his life in a forlorn hope
to rescue his fellow creatures, and the hero had been a black sheep; the
object of the writer being to show that even the worst man may have in
his nature the elements of the heroic.
The man Blaydon seemed as legendary to her as Jim Bludso in Hay’s
ballad. He seemed quite as remote from her life. She took no more than a
novel-reader’s interest in the story. She was harder than the newspaper
men, for she could not bring herself up to a point of sympathizing with
the young widow.
“Good heavens!” she cried, getting to her feet so quickly that the
papers fluttered down to the carpet. “Good heavens! have I allowed
myself to be made miserable for so long by a person who was no more than
a character out of a novel--one of the black sheep hero novels? Oh,
what a fool I was--as foolish as the girls who cry copiously when their
fustian hero gets into trouble.”
Then she leant up against the side of the window and was lost in a maze
of thought. Several minutes had passed before she found herself, so to
speak; and she found herself with a smile on her face.
“Good heavens!” she said again. “Good heavens! After all I was not
miserable, but glad. I allowed myself to be driven into marrying him
when all the time I did not even like him. I had a sense of committing
suicide--of annihilating myself--when I married him, and I now know that
it was a relief to me when we were separated. And now the final relief
has come--relief and release; and my life is once more in my own hands.
Thank God for that! Thank God for that!”
And then, strange though it was, she began to recall, apparently without
any connection with her previous reflections, something that she
had said to Rosa when on their way to the primrose park in the
forenoon--something about immorality--it was certainly a very foolish
thing--some hint that if she were to set her mind--no, her heart--upon
some object, she would not allow any considerations that were generally
called moral considerations to interfere with her achievement of that
object.
That was in substance what she had said in her foolishness, and now,
thinking upon it, she felt that it was not merely a very foolish thing
to say, but a very shocking thing as well. The very idea at which she
had hinted was revolting to her now, so that she could not understand
what was the origin of the impulse in the force of which she had talked
so wildly. This was what she now felt, illustrating with some amount
of emphasis how a slight change in the conditions which govern a young
woman’s life may cause her to lose a sense of the right perspective in a
fancy picture that she is drawing, as she believes, direct from Nature.
Public-domain text, read in full here on John Shaqi.
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