Priscilla of the Good Intent: A Romance of the Grey FellsSutcliffe, Halliwell
General
Priscilla of the Good Intent: A Romance of the Grey Fells
Sutcliffe, Halliwell
Country life -- Fiction; Courtship -- Fiction; England, Northern -- Fiction; Farm life -- Fiction; Mate selection -- Fiction
David laughed, though he was little in the mood for it. At every turn
of his path to-day--whether he were talking to Priscilla, or dining in
the hedge-bottom with Farmer Hirst, or talking to Billy--Gaunt’s shadow
crossed his path. Yet he laughed, for he was simple, too, and big, and
there was something that tickled his fancy in this quiet assumption
that little men had little right to whistle on the Queen’s highway.
“Came whistling down, did he?” asked the blacksmith, strangely eager
for the story.
“Ay, and stopped when he saw me. ‘Flick-a-moroo!’ says he, and twitched
my chin, and seemed to think he’d played a jest on me.”
Again David chuckled; for there was none in the Dale of Strathgarth
that could mimic a man as faithfully as Billy, and he had caught
Gaunt’s mincing accent to the life.
“‘_Flick-a-moroo_,’ says I, easy as answering a blackbird when he
calls. I didn’t like having my chin tickled, David, but I bided like,
as one might say. And then he says--’tis queer and strange how little
a grown man can be, yet can strut like a turkey-cock--‘Ye seem to know
what’s the meaning of _flick-a-moroo_’ says he, ‘though it’s more than
I do.’ ‘Ay, I know the meaning of _flick-a-moroo_,’ I says.”
“Well, lad?” asked David, waiting till he had finished a laugh that
came before the end of the story.
“Ye see, David”--a happy, cunning look was in the natural’s face--“ye
see, we were near t’ other side o’ the road yonder, and I minded there
was a snug, far drop over th’ wall, and some young nettles growing
soft as a feather-bed. So I says again, ‘Oh, ay,’ says I, ‘I know the
meaning o’ _flick-a-moroo_,’ says I; and I catches him, heels and
head--’twould have made ye crack wi’ laughter, David, to see it--and I
holds him over the wall awhile, and drops him soft as a babby into th’
nettles.”
Again David laughed. He could not help it. “And then, Fool Billy?” he
asked.
“Why, I went and looked at him, and I says, ‘Oh, ay, I know what’s the
meaning o’ _flick-a-moroo_,’ says I--‘and so do ye, I’m thinking.’”
David felt a joy in this daft enterprise as keen as Billy’s. Was it
not the expression of feelings which he had himself only checked with
an effort up yonder in the mistal-yard?
“’Twas outrageous, and not like ye, Billy,” the smith observed, his
whole face twinkling. “Should’st be more civil when strangers come to
Garth.”
Billy looked apprehensive for a moment; of all things, after work, he
hated the reproof of those whom, in his innocence, he fancied to be
wiser than himself. A glance at David’s face, however, reassured him.
“Civil when strangers are civil, David,” he chuckled. For Billy, vague
as his outlook upon morals was, showed himself persistently on the side
of the Old Testament. “I’d bested him, ye see! Owned he didn’t know
what _flick-a-moroo_ meant. Billy the Fool did.”
“We’ll have a change of play, Billy,” said the smith. “Just make the
bonnie sparks go scummering up again, and I’ll to my work o’ making
horseshoes.”
Public-domain text, read in full here on John Shaqi.
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