Prisoners: Fast Bound In Misery And IronCholmondeley, Mary
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Prisoners: Fast Bound In Misery And Iron
Cholmondeley, Mary
Man-woman relationships -- Fiction
But now---- The public shame of it--the divorce which in her eyes must
ensue--Andrea! Her courteous, sedate, inexorable husband, whose will she
could not bend, whom she could not cajole, whose mind was a closed book
to her; a book which had lain by her hand for three years, which she had
never had the curiosity to open!--Fay feared her husband, as we all fear
what we do not understand. He would divorce her--and then---- And
Magdalen at home--and----
A flood of suffocating emotion swept over her, full of ugly swimming and
crawling reptiles, and invertebrate horrors, the inevitable scavengers
of the sea of selfish passion.
Fay shrank back for very life. She could not pass through that flood and
live. Nevertheless she felt herself pushed towards it.
"But I have no choice. I _must_ speak. He is innocent. He is doing this
to shield me because he loves me. But I also love him, far, far more
than he loves me, and I will prove it."
Fay went in imagination through a fearful and melodramatic scene, in
which she revealed everything before a public tribunal. She saw her
husband's face darken against her, her lover's lighten as she saved him.
She saw her slender figure standing alone, bearing the whole shock,
serene, unshaken. The vision moved her to tears.
Was it a prophetic vision?
It was quite light now, and she crept to her husband's room. She had not
seen him during the previous day. He had been out the whole of it. She
felt drawn towards him by calamity, by the loneliness of her misery.
The duke was not asleep. He was lying in bed with his hands clasped
behind his head. His sallow face, worn by a sleepless night, and perhaps
by a wounding memory, was turned towards the light, and the new day
dealt harshly with it. There were heavy lines under the eyes. The eyes
looked steadily in front of him, plunged deep in a past which had
something of the irrevocable tenderness of the dawn in it, the holy
reflection of an inalienable love.
He did not stir as his wife came in. His eyes only moved, resting upon
her for a moment, focussing her with difficulty, as if withdrawn from
something at a great distance, and then they turned once more to the
window.
A pale primrose light had risen above the blue tangled mist of ilexes
and olives. The cypresses stood half-veiled in mist, half-sharply clear
against the stainless pallor of the upper sky.
"I am so miserable, Andrea."
He did not speak.
"I cannot sleep."
Still no answer.
"I am convinced that Michael is innocent."
"It goes without saying."
"Then they can't convict him, can they?"
"They will convict him," said the duke, and for a moment he bent his
eyes upon her. "Has he not accused himself?"
"They won't--hang him?"
The duke shrugged his shoulders. He did not think fit to enlighten his
wife's ignorance of the fact that in Italy there is no capital
punishment.
"But if he has not done it, and we know he has not," faltered Fay.
"He is perhaps shielding someone," said the duke, "the real murderer."
Public-domain text, read in full here on John Shaqi.
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