For Paris and Berlin, but in greater degree for Paris, a fact holds true
which has almost equal place for New York. Women-workers, whose only
support is the needle, contend with an army of women for whom such work
is not a support, but who follow it as a means of increasing an already
certain income. For these women there is no pressing necessity, and in
Paris they are of the _bourgeoisie_, whose desires are always a little
beyond their means, who have ungratified caprices, ardent wishes to
shine like women in the rank above them, to dress, and to fascinate.
They are the wives and daughters of petty clerks, or employes of one
order and another, of small government functionaries and the like, who
embroider or sew three or four hours a day, and sell the work for what
it will bring. The money swells the housekeeping fund, gives a dinner
perhaps, or aids in buying a shawl, or some coveted and otherwise
unattainable bit of jewelry. The work is done secretly, since they have
not the simplicity either of the real _ouvriere_ or of the _grande
dame_, both of whom sew openly, the one for charity, the other for a
living. But this middle class, despising the worker and aspiring always
toward the luxurious side of life, feels that embroidery or tapestry of
some description is the only suitable thing for their fingers, and busy
on this, preserve the appearance of the dignity they covet. Often their
yearly gains are not more than one hundred francs, and they seldom
exceed two hundred; for they accept whatever is offered them, and the
merchants who deal with them know that they submit to any extortion so
long as their secret is kept.
Public-domain text, read in full here on John Shaqi.
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