She had always asked for work, she reminded herself when she was
alone--real work, necessary work--not the fads with which rich women
try to deceive themselves by calling them work. Behold! here was every
prospect of as much work as she liked, and yet she found nothing
cheering in it. Only--anything to get away from this sham life of sham
luxury, sham state, sham riches, sham everything--away from the world’s
eyes and those of Sebastian, into obscurity and poverty, which, she
felt, would be no shams, but stern realities, with front of brass and
eyes of stone.
CHAPTER XIX.
IRREVOCABLE.
‘Good-bye, Heywood, I wish you every success, and you carry the
assurance of success in yourself. You will return to England a man of
mark.’
‘I trust never to return to England,’ replied Myles, standing up in
Sebastian’s study, in the act of going. ‘I am afraid it will seem
ungracious to you when I say I don’t care much about success. I want
work; I don’t care whether it’s successful or not. There’s a verse in
the Bible about “What shall it profit a man if he gain the whole world
and lose his own soul?” There may be many sorts of souls, don’t you
think so?’
‘Yes, certainly. But I think time will soften these feelings of yours.
Some time you will find yourself wishing to return to England.’
Myles shook his head, with a half-smile, at once melancholy and
sceptical. He ever wish to return to the place where Adrienne lived,
Sebastian Mallory’s wife! They had left the study, and gone to the hall
door.
Straight before them, separated only by the garden and the dirty
little river, was the broad, busy street--the beautiful building of
the town-hall rose through the dusk before them. Lights twinkled; feet
and wheels sped rapidly past. As they paused before the open door, the
chimes rang out, clear and melodious; nine struck solemnly, and the old
tune which haunted Myles, so interwoven was it with all the most sacred
feelings of his life, was borne through the air in broken, fitful gusts
of sound.
Sebastian heard it too.
‘Take that as an omen,’ said he, earnestly. ‘The old poet old Martin
Usteri, in his homely German town, touched a deeper truth when he wrote
that little song of his, than all our present pessimistic sages put
together can cram into their learned books. Don’t forget the tune when
you are away.’
‘I am not likely ever to forget it,’ said Myles. ‘Good-bye, and thank
you. I cannot say more.’
With a pressure of the hand he was gone. Sebastian heard his quick step
along the gravel--then he heard the gate open and swing to after him;
and then Myles Heywood’s form and footsteps were lost in the general
rush along the busy street. Sebastian was left to listen to the last
echoes of the chimes, and to hum softly to himself--
‘Freut Euch des Lebens,
Weil noch das Lämpchen glüht!
Pflücket die Rose,
Eh’ sie verblüht.’
Public-domain text, read in full here on John Shaqi.
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