‘What an age it is since I heard from you! I look out fervently every
day for the postman, and he never comes. I suppose you are _busy_!
How completely changed you are, you who never used to be busy. I am
writing this at the midnight hour, because I have news for you. Good
news, of course; if it were bad news, I should leave it to travel to
you on its own legs. Old Biermann, the _Direktor_, and I have, so to
speak, buried the tomahawk, and sworn an alliance; and he is going to
give my little cantata, _Hermann u. Dorothea_, at the next concert
but one. This is a great step in advance. I hardly know what has
induced him to be so gracious; but his word is given now, and let him
repent him never so much, he will be obliged to carry it out. I need
not tell you, however, that I look upon it only as a step, and that
my hopes and wishes continue to turn always to the opera. I am not
hurrying about it, because I want it to be worth hearing when it is
done. Mozart was only eighteen when his first opera (it’s true it was
a comic one) was produced, and I am nearly twenty.
‘I am in luck’s way, too. I have earned ten pounds by my own
exertions, teaching, in the last six months. It is spread out before
me in a beautiful shining row. No money ever looked so charming
before. Please remember this, and make your next remittance ten
pounds less than usual, or else I shall not feel as if I had really
earned it.
‘I cannot give you any news, for there is none; still, I will
tell you what happened to me the other day. I was walking in the
_Hofgarten_, when I met a lady walking alone. I looked up, and I
thought: ‘Helena Spenceley! How did she come here?’ In the surprise
of the moment I did not look at her attentively enough, but raised my
cap, held out my hand, and was going to accost her, when she smiled
and uttered a rather astonished ‘_Mein Herr_, you are mistaken!’ She
was German, and when she smiled I saw the difference; she had not
Helena’s fire and spirit, and yet the likeness was wonderful. The
incident set me thinking about these old days. You never mention
Helena now. Do you never see her? Tell me when you write. I have
never seen any one like her. I suppose you are too busy to think of
such things. I used to wonder at your coolness all the time that she
was suffering so, in consequence of that wicked father and brother of
hers. I used to make her, in my own mind, the heroine of a hundred
tragedies and romances, in those days. And yet--forgive me for saying
so, I have always said things I ought not to say, to you--I was
nothing to her but an enthusiastic boy, to whom she was kind, and you
were a great deal--a man--I believe _the_ man. Since I met that lady
in the gardens, I have thought a great deal about it, and as I found
a little poem the other day, called _Hélène_, I composed an air for
it, and made it into a song; but I shall not sell it. You may have it
Public-domain text, read in full here on John Shaqi.
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