The face was rather thin and rather square; the complexion pale. The
eyes were very dark and very steady--at the moment very quiet, though
with a touch of defiance in them which was habitual; the forehead broad
and thoughtful--the level eyebrows had a trick of contracting sharply,
which took away from the calmness which might have seemed at first the
dominant characteristic of the ample brow. The nose was rather long and
sharp--the mouth firm, and a little cross: the lips looked as if they
would more readily tighten in irritation at the stupidity of others,
than part in wonder or amaze at their cleverness--and their expression
did not belie the truth. The whole face was more clearly cut, more
decided in feature, more distinct in expression than the faces of
many--nay, of most of his class in the same place. Perhaps it answered
to a clearer mental outline--was the distinct objective side of a
well-defined subjectivity. Be that as it may, the figure was a manly
and a good one--the face no less so.
This young man, holding his pencil suspended over his note-book, looked
reflectively around the room, standing erect, though the wall was just
behind him to lean upon. Walls to lean upon, moral or material, are
irresistible to some people. His eyes fell upon the different workers
as they moved hither and thither, adjusting their work, or stepping
from one loom to another. Those eyes presently fell upon a young woman
who was standing at the far end of the room, and whose face happened to
be turned towards him. Her glance met his: they nodded and smiled to
one another, and his smile flashed across his dark face with an effect
which the smiles of fair faces and light eyes can never have.
This young man’s name was Myles Heywood, and the scene of his labours
was the factory of Sebastian Mallory, the largest mill and property
owner but one in the town of Thanshope, in Lancashire. He was, then,
clever, honest, proud to excess, and self-opinionated, though few
people could help liking him, even when his opinions and prejudices,
with both of which articles he was well provided, might rub against
theirs. One thing deserves recording of him, which alone would have
shown him to be somewhat aloof from his fellow-workmen--he had no
nickname; and in that district, where often a man’s real name was
quite hidden under a cloud of bynames and nicknames, this was at least
peculiar.
Myles Heywood, after spending a few moments looking down the shed,
through the mist of cotton fluff which made the air dim and the lungs
irritable, turned and went into a neighbouring room, where they were
twisting--a monotonous task--the rapid twisting together of the ends of
cotton of two warps, paid for at the rate of threepence per thousand
ends--a fact which had caused our critic in the linen jacket much
thought at different times.
Public-domain text, read in full here on John Shaqi.
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