Problematic Characters: A NovelSpielhagen, Friedrich
General
Problematic Characters: A Novel
Spielhagen, Friedrich
Fiction
"This is your room, doctor," said the man, lighting the two candles
which stood on a large round table in the centre of the room. "That
door opens into your bedroom."
"And where do the boys sleep?" asked Oswald.
"If you go through your bedroom, you get into the young gentlemen's
room. Have you any orders, sir?"
"No, I thank you."
"I wish you a good-night, sir."
"Good-night."
Oswald was alone. He had remained standing, one hand resting upon the
table, and listened mechanically as the footsteps of the servant became
gradually fainter and fainter down the long passage. Then he took one
of the candles, passed through his chamber to the door which the
servant had told him would admit him to the boys' room, opened it
cautiously and went in, carefully screening the light with his hand.
The beds of the two boys stood close by each other. Before one bed lay
a carpet, before the other none. Above the bed without a carpet hung a
small silver watch; above the bed with a carpet, a still smaller gold
watch. In the bed below the gold watch lay a boy of perhaps fourteen
years, with light, straight hair, and a delicate, finely-cut face,
which, at that moment, looked rather silly, thanks to the half-open
mouth. In the bed with the silver watch lay a boy who might have been a
year older than the other, but who looked at least three years his
senior, and formed in every way the most singular contrast with him.
While the arms of the younger lay languidly on the coverlet, those of
the other were firmly crossed on his chest. The compressed lips and the
slightly frowning eyebrows, drawn together perhaps by a troublesome
dream, gave to the irregular but not unattractive face an expression of
dark defiance and pride, which would not have been amiss in the heir to
a throne.
"Poor boy," said Oswald to himself, looking with deepest interest at
the enigmatical face of the child; "you have had already tears in the
spring of your life, if you ever really had a spring."
He was deeply moved, scarcely knowing why. But he bent over the
sleeping child and kissed his forehead. The boy turned in his sleep,
his arms relaxed, and opening his large, deep blue eyes, he looked at
Oswald through the mist of his dream. All of a sudden a ray of sunlight
seemed to flash across his face; the dark expression vanished, and a
warm, inexpressibly sweet smile played over the animated features.
"I love you," said the boy.
"And I love you, too," replied Oswald.
Then Bruno turned over, and Oswald saw from his deep, regular breathing
that he had fallen fast asleep once more.
"Has he really seen you or were you only a dream to him?" the young man
asked himself, as he went back to his room after the little scene which
had moved him deeply. He put the candle on the table, went to the
window, opened it and looked out.
Public-domain text, read in full here on John Shaqi.
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