Problematic Characters: A NovelSpielhagen, Friedrich
General
Problematic Characters: A Novel
Spielhagen, Friedrich
Fiction
"No; and I really do not think the road is interesting enough to walk
it twice the same day. Here is another one, which will bring us out of
the forest and then along the edge of the wood almost to the house.
Shall we go this way?"
"Very well!" said Oswald, falling back into his bad dreams. "Then he
came from her. But that cannot be ... 'A rolling wheel has formed the
woman's bosom; the lily-hills conceal what ever changes:'--the baron
may have read that in the Fritjofs Saga as well as I. He is a learned
man, and baron, and rich.--The man cannot miss it; but Melitta shall
give me an account of it; she shall tell me that I have reason to hate
the man as I do."
Bruno had walked in silence on the opposite side of the road. He
noticed Oswald's excitement; he saw how his face grew darker and
darker, how his lips trembled with pain, how his hand closed angrily;
he saw that his friend was not happy. More was not needed to make the
generous boy forget all his own sensitiveness, his own complaints; he
came gently up to Oswald, and seizing his hand, he said:--
"What is the matter, Oswald? why do you not talk? Are you angry with
me?"
"I, angry with you?" that was all the young man said; but there was
enough in the tone in which he uttered these words, and in the look
with which he accompanied them, to convince Bruno that his suspicion
was groundless, and to let the long pent-up torrent of his affection
break forth in wild haste. He embraced Bruno and caressed him amid sobs
and tears.
"Bruno, Bruno, what does that mean?" called out Oswald, frightened by
the boy's passionate tenderness.
"I thought you had ceased to love me," sobbed Bruno; "and look here,
Oswald, if you cease loving me, I'll die."
The pale, death-like image, of which Oswald had dreamt so fearfully in
his feverish excitement, reappeared before his mind's eye and gave a
terrible meaning to the passionate words of the boy. Speechless with
emotion, he drew the sobbing boy to his heart, and repeated within
himself the vow to be a brother to the poor forsaken boy. Thus they
stood in close embrace ... Red evening lights were playing in the tops
of the pine-trees--the soft plaintive song of a little bird came from
the forest--a sweet, solemn moment.
Suddenly hideous sounds fell upon their ear; they came from near
by; loud threatening voices of men who seemed to be angrily
disputing--scolding, cursing--then for a moment deep silence, and
finally the loud cry: "Great God! Help! help! Is no one near! Here!"
Public-domain text, read in full here on John Shaqi.
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