Problematic Characters: A NovelSpielhagen, Friedrich
General
Problematic Characters: A Novel
Spielhagen, Friedrich
Fiction
Holding the dog by his long, curly hair, Oswald went across the meadow.
On the steps the noise of Bonc[oe]ur's paws deadened the sound of his
own light footsteps, and thus he crept along on the veranda which
surrounded the cottage till he came to the window. The window was open,
and through the Venetian ivy which had been trained over it Oswald
looked into the room. On the table stood a burning lamp, the globe of
which was covered with a red veil, so that the sacred image of Venus
looked, in the rosy light, as if it were alive. Melitta was sitting at
the foot of the statue near a table, turning her face toward Oswald.
She had an open book before her, but she was evidently not reading; the
delicate hand which supported her head was buried in the dark, abundant
hair, and she seemed to be buried in thought. An inexpressibly touching
expression, full of plaintive melancholy and of surpassing happiness,
lay on her chaste, childlike features. Oswald had to make a great
effort not to destroy the incomparably beautiful picture as it stood
before him in the frame of the small window. At last he whispered her
name.
Melitta raised her head, and fixing her large eyes fully upon the
window, she listened for a moment. But then she smiled sadly, as if she
wished to say: It was but a dream, and rested her head again in her
hand.
"Melitta--it is I."
This time she had not dreamt. She started up with a cry of joy, to the
door, to meet Oswald. She wound her arms around his neck, she felt his
burning lips again and again on her own; she laid her head on his
bosom; she looked through her tears up at him and said: "See, Oswald, I
was just thinking of you. I said to myself: If he loves you he will
come, he will surely be here to-day, and if he does not come, he does
not love you! Oswald, you do love me--don't you? Not as much as I love
you, but still, you love me a little, eh, Oswald?"
Speechless with emotion and happiness, Oswald embraced her again and
again.
"Melitta, you are inexpressibly good and beautiful--whoever loves you
must love you boundlessly."
Before the door of the hermitage, on a straw mat, his colossal head
between his forepaws, lies Bonc[oe]ur. The swift motion of his ears, as
soon as he hears a noise from the forest, shows he is keeping faithful
watch. He would tear any one to pieces who should dare to intrude upon
this temple of love.
CHAPTER XXII.
Several days had passed since that evening.
Public-domain text, read in full here on John Shaqi.
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