Problematic Characters: A NovelSpielhagen, Friedrich
General
Problematic Characters: A Novel
Spielhagen, Friedrich
Fiction
All around the château and the numerous outbuildings runs an immense
wall, at least twenty feet high, which dates back into even greater
antiquity than the tower; it leaves ample space open, so that even the
enormous building looks but small in the wide circle. This wall has,
however, long since been changed into a peaceful promenade,
overshadowed on high by lofty beeches, walnut-trees, and lindens. The
broad moat which follows it all around is now partly obliterated,
forming a low swamp filled with reeds; and wherever the water has held
its own, it is covered with a green carpet of water-plants, in which
half-wild ducks love to feed and fatten. The wall and the moat had
evidently been intended to afford safe protection not only to the
inhabitants of the castle, but also to the faithful vassals of the
warlike barons, with their wives and children, their herds and their
provisions. Even the farm buildings, which, since the erection of the
new château, had been removed to a distant part of the farm, had
originally been enclosed within the wall. In those days there had been
a single passage in the wall, a huge fortified gate under a tower,
which opened upon a drawbridge, and then led to a strong _tête de
pont_. Now the tower had been demolished; the drawbridge refused to
move, and the fortification had long since been changed into a number
of ovens and other useful contrivances. From this principal gate an
avenue of magnificent lime-trees, some of which were several hundred
years old, led to the great portal of the château. To the right of the
avenue and in front of the castle was a vast lawn, with a stone basin
in the centre; a naiad stood over it as patroness, but she had long
since lost her head, perhaps from grief that for half a century the
water had refused to come at her bidding.
The remaining space inside of the wall was filled with gardens and
plantations, which dated from the time of the new building, and clearly
enough betrayed the character of that period by the straight walks,
carefully trimmed evergreen hedges, huge pyramids of box, and an
abundance of gods carved in sandstone. Here and there, however, a
spirit of innovation seemed to have been at work. Box-trees had made
desperate efforts to stretch out their crippled branches, and to grow
for a while as nature prompted them; the two sides of a long, stiff
walk had made common cause, and formed, united, an impenetrable
bosquet; and a gardener, who had no taste for the silent language of
yew pyramids and box avenues, had defied all æsthetic rules, and boldly
planted fruit-trees of every kind wherever he had found an open space;
even vegetables were met with, encroaching impudently upon trim beds of
flowers. A sister of the naiad in the courtyard was completely hid
under brambles and briers; but, more easily resigned than the other
goddess, she had preserved her head, and prattled in silent nights
merrily of the good old times.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account