Problematic Characters: A NovelSpielhagen, Friedrich
General
Problematic Characters: A Novel
Spielhagen, Friedrich
Fiction
It was in the evening hours of one of the next following days when two
ladies were seated in the garden saloon of the château; one was the
Baroness Grenwitz, and the other a young lady who had ridden over from
her seat in the neighborhood to pay a visit. The glass door which led
from the room into the garden was wide open, and showed immediately
before them a large lawn enclosed by tall trees, in the centre of which
a Flora, carved in sandstone, had now for a century and a half poured
stone flowers from her cornucopia. Within the room, which lay towards
the north, it was almost dark already; but outside, the evening light
was still lying warm on the green turf and the magnificent beech-trees
and oaks; and the outlines of the two ladies, as they sat near a table
pushed into the door, were sharply defined against the bright
background.
A greater contrast than that which they formed could hardly be
imagined. The Baroness Grenwitz was scarcely forty years old, but her
large, cold gray eyes, which she always fixed long and piercingly upon
those with whom she conversed, her lofty stature, far exceeding the
ordinary height of women, and especially her peculiar way of dressing,
made her sometimes look almost ten years older than she really was.
Whether from love of extreme simplicity, or, as others would have it,
from a love of economy which degenerated into avarice, she preferred
materials more famous, like the wedding-dress of the worthy wife of the
Vicar of Wakefield, for their durability than for other showy
qualities, and she chose a way of having her dresses made which could
not be called old-fashioned, because there never had been such a
fashion in existence. The first impression which she generally made was
that of imposing dignity; the careful observer noticed, moreover, in
her always perfect carriage, and especially in the unfailing quietness
of her deep, sonorous voice, and her carefully chosen language, which
was scrupulously free from any vulgar expression, a consciousness of
the impression she produced, and a desire not to break the charm by any
fault of hers.
Public-domain text, read in full here on John Shaqi.
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