Proceedings of the expedition to explore the northern coast of Africa, from Tripoly eastward : $b in MDCCCXXI. and MDCCCXXII., comprehending an account of the Greater Syrtis and Cyrenaica; and of the ancient cities composing the pentapolisBeechey, Frederick William
History
Proceedings of the expedition to explore the northern coast of Africa, from Tripoly eastward : $b in MDCCCXXI. and MDCCCXXII., comprehending an account of the Greater Syrtis and Cyrenaica; and of the ancient cities composing the pentapolis
Beechey, Frederick William
Sidra, Gulf of (Libya); Tripoli (Libya) -- Antiquities; Tripoli (Libya) -- Discovery and exploration
Such of the plans of the buildings at Ptolemeta as could in their
present state be satisfactorily made out, will be found in plate
(page 385;) but although the forms of the theatres and amphitheatre
prevent their being mistaken for other buildings, it would not
be possible without excavation to make out their details with any
accuracy. We have given our idea of the larger of the two theatres,
from the appearance and the measurements of the existing remains
of it[16], but the smaller one was too much ruined, and too much
encumbered, to allow of our hazarding a similar attempt, and we
have confined ourselves to its general dimensions, as given in the
plan of the town. We may reckon the diameter of the orchestra of
the larger theatre at about one hundred and forty-five English feet,
and that of the part appropriated to the cunei, at about fifty of the
same. The whole diameter of the theatre would thus be two hundred and
forty-five feet. It will be observed that the area of the orchestra
is very considerably larger than that occupied by the same part of
the building in Greek and Roman theatres in general, and that the
passages leading into it are wider in proportion to the cunei than
usual. It will also be seen, from the absence of any prœcinctions,
that there were no interior communications in this theatre, by which
the spectators dispersed themselves over the body of the house:
the only approach to the seats having been by means of passages
communicating directly with the orchestra from without, which
appear to have been nearly on a level with the orchestra itself;
the roofs of them, only, sloping somewhat in the direction of the
seats themselves. As these (the seats) were comparatively few,
and the spaces between the passages inconsiderable, there was no
necessity for staircases, and we accordingly find no appearance of
any communications of this nature. As it seems, however, that the
lowest range of seats was raised a few feet above the level of the
passage and of the orchestra, a short flight of steps would have
been necessary, to render the access to them easy; and we thought
we observed traces, in two or three of the divisions, of there
having been one originally in each. The arched roofs of all the
passages have fallen in, and every part of the theatre has suffered
materially from the effects of rainy winters, rather than of time.
The depth of the proscenium appears to have been, as we have given
it, about twenty-five feet, but we could recover no part of the stage
with any tolerable accuracy, so that we have omitted it altogether.
Public-domain text, read in full here on John Shaqi.
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