It may be inferred from the copies which we have made of these designs, (which, although they are as good as we could make them, naturally fall very short of the perfection of the originals,) that the drawing of the figures is in excellent style, and the actions at once expressive, easy, and graceful; what we have most failed in is the expression of the countenances, which, though produced merely by a single outline, we were wholly unable to copy at all to our satisfaction. The characters and features are what are usually called Grecian, and remind us strongly, in the originals, of those of the figures represented on some of the most highly finished Greek (or in other words, Etruscan) vases. The draperies are well arranged, and executed with great taste and freedom; they appear, like the other parts of the compositions, to have been painted at once, without any alteration, and with the greatest facility imaginable. It will be observed that the turban has in several instances been adopted; and the shape of some of these is more oriental than any which we remember to have seen in Greek designs. It is singular also that all the figures appear to have been black, with the exception of that of the old man in the last group, which has certainly been red; yet there is nothing either Moorish or Ethiopian in the characters represented; which, from the outlines, we should suppose to be Grecian. We have no solution to offer for this apparent inconsistency; and will not venture to suggest what may have been the subjects of the several pieces. They appear to represent some connected story; yet the same persons are not certainly introduced in all, if indeed in any two of the compositions. In the first group two females, both of them young, appear engaged in some interesting conversation. The second may perhaps represent the same persons, but it is difficult to say whether the rod in the hand of the standing figure is raised for the purpose of chastisement, or whether it is intended to represent the performance of some magic ceremony. The finger which is raised towards the lips of this figure seems rather to be indicative of imposing silence than of conveying admonition; and the arm and hand of the person kneeling appear to be more expressive of veneration or submission, than of either alarm or supplication. There is a curious appearance on the head of this figure which somewhat resembles in form the twisted lock of the Egyptian Horus, but its colour is decidedly red, while that of the other parts of the head are uncertain. The lower part of this figure has been so much rubbed as to be nearly unintelligible, and the face has disappeared altogether. A similar accident has happened to one of the preceding figures, the lower part of which is not now distinguishable. In the third group we see a female figure with a helmet closely fitted to the shape of the head, bearing on her shoulder an ark, or canistrum;