"I find that the £30 I spent on going to Paris is going to pay me far more than I thought of, not merely in French, though I rejoice in that daily, but in preaching. Perhaps you remember me saying that I had got several hints from the style of Bersier, who spoke, not read—mainly in letting out, adopting a free, direct style, variation, etc. Since coming back I have had constantly to preach very badly prepared; but I knew that (partly in consequence) I was much more free, bold, and roused. On Sunday I was very ill-prepared, nothing written, even order of thoughts not fixed; and I did not stick, even, to the line intended; but feeling this, I let out tremendously in vehemence and language. I saw how it took, and several spoke. Yesterday two old folks were on the sermon, and then they said, 'But ever since you came back from Paris you have been so much improved,' etc., etc. And indeed, I have heard more of my sermons during the last few weeks than ever before. So I owe a debt to M. Bersier. Another item, however, is, I fancy, that Paris made some things a little more real to me than they were before." During all these years Mr. Elmslie's reading was wide and various. At the same time it was not difficult to see that the subject that interested him most was the study of man, and the books that attracted him were those that threw light upon the actions and passions of men. When he returned from Paris for the first time, for example, the author of whom he was most full was Rousseau—not Rousseau the philosopher and speculative thinker—but the Rousseau of the "Confessions"—with their strange candour and unblushing avowals. He read little of the works of the great imaginative masters of English prose or verse. If he did read a volume of Tennyson or Ruskin, for example, his criticisms were always brilliant and penetrating; but he never nourished his spirit upon their loftier utterances, nor was his style moulded by the melody of theirs. One exception I should perhaps make. His study of George Eliot was frequent and appreciative. One of his students has told us how, shortly before his own death, he referred to the scene in which Mr. Tulliver's is described to point a characteristic lesson in theology and charity. The passage was a favourite one, from the day when a friend first gave him the "Mill on the Floss" to read. I remember another remark of his about George Eliot which is worth quoting, but to appreciate its point I must introduce a word of explanation. I had, just at that time, drawn up a memorial on a subject in which we were both interested. Avoiding the conventional "wharfoes" which "Uncle Remus" has satirized in such documents, I had worded the appeal with perhaps exaggerated directness. Each sentence contained a distinct proposition, and the whole was expressed with something of that oracular emphasis with which, in those days, Victor Hugo used, from time to time, to address the citizens of Paris.