The Procession of the Pelican has no mythological origin or
significance, as is generally supposed, but derives its name from the
colossal bird, which has figured in the demonstration for more than a
century. The Cathedral of Quillota was built by the Bishop of Romero,
in the beginning of the eighteenth century. By the influence of the
Bishop the ladies of the community formed the society of the “Santo
Sepulcro” (Holy Sepulchre), and by collecting alms raised the funds for
this traditional procession. The annual arrangement was always placed
in charge of one of the ladies of the society, and as only those from
the first families were selected it was considered a great honor.
About the year 1776, Doña Amilia Alverez de Araya, whose family
founded the original town of Quillota, was selected to direct the
demonstration. Previous to that time the Santo Sepulcro, on which
the figure representing the body of Christ was placed, on being
lowered from the cross, was a common wooden box. With the help of a
San Franciscan monk, who was a good joiner, Doña Amilia planned the
receptacle since used, which represents a swan with wings extended.
The huge image, constructed of wood, represents the bird with arched
neck, picking at its breast upon which there is a bright red spot, in
imitation of a blood stain.
On Good Friday a cross is erected in the Plaza, on a miniature mount,
covered with green. During the day it is guarded by huasos, dressed
to represent the Jews. Previous to the procession a man is placed
upon the cross in imitation of the Crucifixion. In the evening the
Cura, standing upon the steps of the cathedral, preaches a sermon on
the “Passion of Our Lord,” after which the procession is formed. The
“andas” (floats), carried upon the shoulders of men, represent scenes
in the life of the Savior, such as “Christ Before Pilate,” “Christ
Carrying the Cross,” “The Virgin Surrounded by Angels,” etc. The
feature of the procession is the Pelican, which is borne by twelve men.
The procession marches from the cathedral to the mount, and the body
of the man representing Christ is lowered from the cross and placed in
the Holy Sepulchre, the Pelican. During the procession the wings of the
Pelican, which are covered with mirrors, open and shut mechanically,
adding a spectacular feature to the scene. After marching around the
Plaza, and through the principal streets the procession returns to the
cathedral, and the Pelican is placed back of the altar where it remains
until the recurrence of Good Friday, when it is again brought into
service in “La Procesión del Pelicano.”
Public-domain text, read in full here on John Shaqi.
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