Project Gutenberg Complete Works of Winston ChurchillChurchill, Winston
General
Project Gutenberg Complete Works of Winston Churchill
Churchill, Winston
American fiction
"Dey's gittin' ready fo' a big fight, Marse Dave," said he. "Mister
Moultrie in the fo't in de bay, an' Marse Gen'l Lee tryin' for to boss
him. Dey's Rebels. An' Marse Admiral Parker an' de King's reg'ments
fixin' fo' to tek de fo't, an' den Charlesto'n. Dey say Mister Moultrie
ain't got no mo' chance dan a treed 'possum."
"Why, Breed?" I asked. I had heard my father talk of England's power and
might, and Mister Moultrie seemed to me a very brave man in his little
fort.
"Why!" exclaimed the old negro. "You ain't neber read no hist'ry books.
I knows some of de gentlemen wid Mister Moultrie. Dey ain't no soldiers.
Some is fine gentlemen, to be suah, but it's jist foolishness to fight
dat fleet an' army. Marse Gen'l Lee hisself, he done sesso. I heerd
him."
"And he's on Mister Moultrie's side?" I asked.
"Sholy," said Breed. "He's de Rebel gen'l."
"Then he's a knave and a coward!" I cried with a boy's indignation.
"Where did you hear him say that?" I demanded, incredulous of some of
Breed's talk.
"Right heah in dis house," he answered, and quickly clapped his hand to
his mouth, and showed the whites of his eyes. "You ain't agwineter tell
dat, Marse Dave?"
"Of course not," said I. And then: "I wish I could see Mister Moultrie
in his fort, and the fleet."
"Why, honey, so you kin," said Breed.
The good-natured negro dropped his work and led the way upstairs, I
following expectant, to the attic. A rickety ladder rose to a kind of
tower (cupola, I suppose it would be called), whence the bay spread out
before me like a picture, the white islands edged with the whiter lacing
of the waves. There, indeed, was the fleet, but far away, like toy ships
on the water, and the bit of a fort perched on the sandy edge of an
island. I spent most of that day there, watching anxiously for some
movement. But none came.
That night I was again awakened. And running into the gallery, I heard
quick footsteps in the garden. Then there was a lantern's flash, a
smothered oath, and all was dark again. But in the flash I had seen
distinctly three figures. One was Breed, and he held the lantern;
another was the master; and the third, a stout one muffled in a cloak, I
made no doubt was my jolly friend. I lay long awake, with a boy's
curiosity, until presently the dawn broke, and I arose and dressed, and
began to wander about the house. No Breed was sweeping the gallery, nor
was there any sign of the master. The house was as still as a tomb, and
the echoes of my footsteps rolled through the halls and chambers. At
last, prompted by curiosity and fear, I sought the kitchen, where I had
often sat with Breed as he cooked the master's dinner. This was at the
bottom and end of the house. The great fire there was cold, and the pots
and pans hung neatly on their hooks, untouched that day. I was running
through the wet garden, glad to be out in the light, when a sound stopped
me.
Public-domain text, read in full here on John Shaqi.
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