French fiction -- 19th century; Prometheus (Greek deity) -- Fiction
When, on the heights of the Caucasus, Prometheus found that chains,
clamps, strait-waistcoats, parapets, and other scruples, had on the
whole a numbing effect on him, for a change he turned to the left,
stretched his right arm and, between the fourth and fifth hours of
an autumn afternoon, walked down the boulevard which leads from
the Madeleine to the Opéra. Different Parisian celebrities passed
continually before his eyes. Where are they going? Prometheus asked
himself, and settling himself in a café with a book he asked: “Waiter,
where are they going?”
THE HISTORY OF THE WAITER AND THE MIGLIONAIRE
--If his lordship could see them coming and going every day as I do,
said the waiter, he would also ask where do they come from? It must be
the same place, as they pass every day. I say to myself: Since they
always return they cannot have found what they want. I now wait for his
lordship to ask me: What are they looking for? and his lordship will
see what I shall reply.
Then Prometheus asked: What are they looking for?
The waiter replied: Since they do not remain where they go, it cannot
be happiness. His lordship may believe me or not, and, coming nearer,
he said in a low voice: They are looking for their personalities;--His
lordship does not live here?...
--No, said Prometheus.
--One can easily see that, said the waiter; Yes: personality; we call
it here idiosyncrasy: Like me (for example), from what you see, you
think I am just a waiter in a restaurant! Well! your lordship, no!
It is by choice; you may believe me or not: I have an inner life: I
observe. Personalities are the only interesting things; and then the
relations between personalities. It is very well arranged in this
restaurant; tables for three; I will explain the management later on.
You will dine soon, will you not? We will introduce you....
Prometheus was a little tired. The waiter continued: Yes, tables for
three, that is what I found the easiest: three gentlemen arrive; they
are introduced; they are introduced (if they wish it, of course), for
in my restaurant before dining you must give your name; then say what
you do; so much the worse if you deceive each other. Then you sit down
(not I); you talk (not I, of course)--but I put you in sympathy; I
listen; I scrutinize; I direct the conversation. At the end of dinner I
know three inner men, three personalities! They, no. I, you understand,
I listen, I bring into relation; they submit to the relationship....
You will ask me: What do you gain by this? Oh, nothing at all! It
pleases me to create relationships.... Oh! not for me!... It is what
one could call an absolutely gratuitous act.
Public-domain text, read in full here on John Shaqi.
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