Is there no melancholy in that cry? It sounds sad: why should it not be meant to be sad? We recognize joyful notes, angry notes, fearful notes. They are very similar (strangely enough) in all birds. They are very similar (more strangely still) to the cries of human beings, especially children, when influenced by the same passions. And when we hear a note which to us expresses sadness, why should not the bird be sad? Yon wood wren has had enough to make him sad, if only he recollects it; and if he can recollect his road from Morocco hither, he may be recollects likewise what happened on the road—the long weary journey up the Portuguese coast, and through the gap between the Pyrenees and the Jaysquivel, and up the Landes of Bordeaux, and across Brittany, flitting by night, and hiding and feeding as he could by day; and how his mates flew against the lighthouses, and were killed by hundreds; and how he essayed the British Channel, and was blown back, shrivelled up by bitter blasts; and how he felt, nevertheless, that ‘that wan water he must cross,’ he knew not why: but something told him that his mother had done it before him, and he was flesh of her flesh, life of her life, and had inherited her ‘instinct’—as we call hereditary memory, in order to avoid the trouble of finding out what it is, and how it comes. A duty was laid on him to go back to the place where he was bred; and he must do it: and now it is done; and he is weary, and sad, and lonely; and, for aught we know, thinking already that when the leaves begin to turn yellow, he must go back again, over the Channel, over the Landes, over the Pyrenees, to Morocco once more. Why should he not be sad? He is a very delicate bird, as both his shape and his note testify. He can hardly keep up his race here in England; and is accordingly very uncommon, while his two cousins, the willow wren and the chiffchaff, who, like him, build for some mysterious reason domed nests upon the ground, are stout, and busy, and numerous, and thriving everywhere. And what he has gone through may be too much for the poor wood wren’s nerves; and he gives way; while willow wren, black-cap, nightingale, who have gone by the same road and suffered the same dangers, have stoutness of heart enough to throw off the past, and give themselves up to present pleasure. Why not?—who knows? There is labour, danger, bereavement, death in nature; and why should not some, at least, of the so-called dumb things know it, and grieve at it as well as we?