‘Surely, classic sculpture remains, as a witness of the primæval
paradise; a witness that man and woman were created at first healthy, and
strong, and fair, and innocent; just as classic literature remains for a
witness that the heathen of old were taught of God; that we have
something to learn of them, summed up in that now obsolete word
“virtue”—true and wholesome manhood, which we are likely to forget, and
are forgetting daily, under the enervating shadow of popular
superstitions. {287} And till we have learnt that, may Greek books still
form the basis of our liberal education, and may Greek statues, or even
English attempts to copy them, fill public halls and private houses.
This generation may not understand their divine and eternal significance;
but a future generation, doubt it not, will spell it out right well.’
Claude and I went forth along the cliffs of a park, which, though not of
the largest, is certainly of the loveliest in England,—perhaps unique,
from that abrupt contact of the richest inland scenery with the open sea,
which is its distinctive feature. As we wandered along the edge of the
cliff, beneath us on our left lay wooded valleys, lawns spotted with
deer, stately timber trees, oak and beech, birch and alder, growing as
full and round-headed as if they had been buried in some Shropshire
valley fifty miles inland, instead of having the Atlantic breezes all the
winter long sweeping past a few hundred feet above their still seclusion.
Glens of forest wound away into the high inner land, with silver burns
sparkling here and there under their deep shadows; while from the lawns
beneath, the ground sloped rapidly upwards towards us, to stop short in a
sheer wall of cliff, over which the deer were leaning to crop the shoots
of ivy, where the slipping of a stone would have sent them 400 feet
perpendicular into the sea. On our right, from our very feet, the sea
spread out to the horizon; a single falcon was wheeling about the ledges
below; a single cormorant was fishing in the breakers, diving and rising
again like some tiny water-beetle;
‘The murmuring surge
That on the unnumbered pebbles idly chafed
Could not be heard so high.’
Public-domain text, read in full here on John Shaqi.
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