French fiction -- Translations into English; Short stories, French -- Translations into English
LITTLE FRENCH MASTERPIECES
[Illustration: PROSPER MÉRIMÉE
From an etching]
Prosper Mérimée’s
Short Stories
Carmen
The Taking of the Redoubt
The Venus of Ille, etc.
Translated by
George Burnham Ives
With an Introduction by
Grace King
G. P. Putnam’s Sons
New York and London
The Knickerbocker Press
1909
COPYRIGHT, 1903
BY
G. P. PUTNAM’S SONS
The Knickerbocker Press, New York
Contents
PAGE
PROSPER MÉRIMÉE ix
CARMEN 3
THE TAKING OF THE REDOUBT 137
MATEO FALCONE 151
THE VENUS OF ILLE 181
Introduction
Prosper Mérimée
(1803-1870)
The stories here presented are a selection from that brilliant
series which shine like a constellation in French literature of the
last century, blazoning Mérimée’s name across it. Each one has been
tested and judged by successive generations of readers and critics.
The authoritative appraisers of literary values, French and English,
have been pronouncing upon them from the time of their publication
until now, when they are still pronouncing upon them, as upon new
productions. Their interest, nevertheless, is still fresh, their
charm as attractive as ever, and inexplicable, as charm must be. The
prediction that was made in their day having been fulfilled so far,
it does not seem hazardous to renew it, at our own risk, that they may
be placed alongside of those classics of fiction that meet so natural
a soil in the human mind that we can no more foresee their ceasing to
give pleasure to readers in course of time than we can foresee the
flowers in the gardens ceasing to give pleasure to lovers of flowers.
_Carmen_, with which the book begins, was the last one written of the
series. It might, however, be said to antedate them all, for the first
impulsive, perhaps instinctive, love of Mérimée’s imagination was for
the passionate drama of Spain, and his first production, _The Plays of
Clara Gazul_, was so vivid an imitation of it that it mystified the
critics of the time, who had yet to learn the extreme susceptibility of
Mérimée’s mind to exotic influences; a susceptibility that the author
indulged, if he did not foster, throughout life.
Public-domain text, read in full here on John Shaqi.
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