Proteus : $b or, The future of intelligenceLee, Vernon
Philosophy
Proteus : $b or, The future of intelligence
Lee, Vernon
Intellect
I have just come across a passage from Huxley’s famous _Romanes
Lecture_, read thirty years ago and long since forgotten; and which
has brought home to me all our elusive Proteus has been doing in the
domain of ethics; moreover the share of Intelligence in confirming
those changes. Huxley is pointing out a fact which he finds
disconcerting, namely, “that ethical nature, while born of cosmic
nature, is necessarily at enmity with its parent.” The allusion to
the harmony reigning in Victorian families may make one smile, like
some well-bred Du Maurier illustration. But how those words bring back
what some of us are old enough to have suffered in days when Free
Thought drew a terrifying line between religious dogmas and moral
ones, clinging to these to steady itself after jettisoning the others!
One’s youthful deistic anguish (as cruel, perhaps, as any believer’s
sense of God’s forsaking him) at discarding God for insufficient
morality, was merely transferred to one’s terms with Huxley’s ogre
Cosmos, devouring the moral instincts itself had begotten. Occupied
as my studies then were with art-history, I can remember wrestling
with the horrid inconsistency of the art of Michael Angelo and Rafael
having arisen in a civilization described by Taine as partaking of
the brothel and the cut-throat’s den. And I remember the heavenly
relief of hitting on the notion that, since such art is not born in a
day, it must have been begotten and incubated during the Franciscan
Age, immune from all Borgian infections. Of course, the generation
immediately younger than mine was taught by Nietzsche that Michael
Angelo’s greatness was, on the contrary, due to presiding Renaissance
villainy; but that pseudo-Nietzschian generation is, in its turn,
superannuated, and the cult of _immoralism_ along with it. Not only
because paradoxes do not bear repetition, but for another reason which
that quotation from Huxley has made me realize. Namely, that we have
left off thinking of art as either moral or immoral, simply because
morality no longer holds the same place in our thoughts as, say, in
those of Ruskin, George Eliot, or, as that quotation shows, even in
those of Huxley. Not the same (if one may say so, _ubiquitous_) place;
a place more clearly defined, but only the more important, ever since
Intelligence, ferreting about among _Golden Boughs_, _Religion of
the Semites_, and similar books, has quietly stripped from our moral
valuations that half-supernatural, half-æsthetic halo which is but the
shrunken religious involucrum wherein they came into the world. The
“problem of evil” has already become the problem not of its toleration
by God, but of its diminution by Man. _That_ is the great change we
are still witnessing; a change, I cannot but think, greater than any
brought about by the material applications of science, and implying
a deliverance from individual suffering not less than that we owe to
Pasteur and to Lister.
Public-domain text, read in full here on John Shaqi.
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