"I can't write it up," she faltered. "Mrs. Daly--she--Oh, I held her in
my arms, Mr. Raider, and kissed her, and we cried all morning, and I
can't write it up. I--I am the minister's daughter, you know. I can't."
"Nonsense, now, Lark," he said, "be sensible. You needn't give all the
sob part. I'll touch it up for you. Just write out what you saw, and
what they said, and I'll do the rest. Run along now. Be sensible."
Lark glanced over her shoulder again. The PRESS seemed tremendously big,
leering at her, threatening her. Lark gasped, sobbingly.
Then she sat down at Mr. Raider's desk, and drew a pad of paper toward
her. For five minutes she sat immovable, body tense, face stern,
breathless, rigid. Mr. Raider after one curious, satisfied glance,
slipped out and closed the door softly after him. He felt he could trust
to the newspaper instinct to get that story out of her.
Finally Lark, despairingly, clutched a pencil and wrote
"Terrible Tragedy of the Early Morning.
Daly Family Crushed with Sorrow."
Her mind passed rapidly back over the story she had heard, the father's
occasional wild bursts of temper, the pitiful efforts of the family to
keep his weakness hidden, the insignificant altercation at the breakfast
table, the cry of the startled baby, and then the sudden ungovernable
fury that lashed him, the two children--! Lark shuddered! She glanced
over her shoulder again. The fearful dark shadow was very close, very
terrible, ready to envelope her in its smothering depths. She sprang to
her feet and rushed out of the office. Mr. Raider was in the doorway.
She flung herself upon him, crushing the paper in his hand.
"I can't," she cried, looking in terror over her shoulder as she spoke,
"I can't. I don't want to be a newspaper woman. I don't want any
literary career. I am a minister's daughter, Mr. Raider, I can't talk
about people's troubles. I want to go home."
Mr. Raider looked searchingly into the white face, and noted the
frightened eyes. "There now," he said soothingly, "never mind the Daly
story. I'll cover it myself. I guess it was too hard an assignment to
begin with, and you a friend of the family, and all. Let it go. You stay
at home this afternoon. Come back to-morrow and I'll start you again.
Maybe I was too hard on you to-day."
"I don't want to," she cried, looking back at the shadow, which seemed
somehow to have receded a little. "I don't want to be a newspaper woman.
I think I'll be the other kind of writer,--not newspapers, you know,
just plain writing. I'm sure I shall like it better. I wasn't cut out
for this line, I know. I want to go now."
"Run along," he said. "I'll see you later on. You go to bed. You're
nearly sick."
Public-domain text, read in full here on John Shaqi.
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