Suddenly there is singing. It is Aurelia, who does not cope with the
Italian Prima Donna, nor sing indifferently to-night, what was sung,
superbly last evening at the opera. She has a strange, low, sweet
voice, as if she only sang in the twilight. It is the ballad of "Allan
Percy" that she sings. There is no dainty applause of kid gloves,
when it is ended, but silence follows the singing, like a tear.
Then you, my young friend, ascend into the drawing-room, and, after a
little graceful gossip, retire; or you wait, possibly, to hand Aurelia
into her carriage, and to arrange a waltz for to-morrow evening. She
smiles, you bow, and it is over. But it is not yet over with me. My
fancy still follows her, and, like a prophetic dream, rehearses her
destiny. For, as the carriage rolls away into the darkness and I
return homewards, how can my fancy help rolling away also, into the
dim future, watching her go down the years?
Upon my way home I see her in a thousand new situations. My fancy says
to me, "The beauty of this beautiful woman is heaven's stamp upon
virtue. She will be equal to every chance that shall befall her, and
she is so radiant and charming in the circle of prosperity, only
because she has that irresistible simplicity and fidelity of
character, which can also pluck the sting from adversity. Do you not
see, you wan old book-keeper in faded cravat, that in a poor man's
house this superb Aurelia would be more stately than sculpture, more
beautiful than painting, and more graceful than the famous
vases. Would her husband regret the opera if she sang 'Allan Percy' to
him in the twilight? Would he not feel richer than the Poets, when his
eyes rose from their jewelled pages, to fall again dazzled by the
splendor of his wife's beauty?"
At this point in my reflections I sometimes run, rather violently,
against a lamp-post, and then proceed along the street more sedately.
It is yet early when I reach home, where my Prue awaits me. The
children are asleep, and the trowsers mended. The admirable woman is
patient of my idiosyncrasies, and asks me if I have had a pleasant
walk, and if there were many fine dinners to-day, as if I had been
expected at a dozen tables. She even asks me if I have seen the
beautiful Aurelia (for there is always some Aurelia,) and inquires
what dress she wore. I respond, and dilate upon what I have seen. Prue
listens, as the children listen to her fairy tales. We discuss the
little stories that penetrate our retirement, of the great people who
actually dine out. Prue, with fine womanly instinct, declares it is a
shame that Aurelia should smile for a moment upon ----, yes, even upon
you, my friend of the irreproachable manners!
Public-domain text, read in full here on John Shaqi.
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