“When I saw thee impersonate Niobe, my sweet child, mine eyes too were
veiled with tears. When, one by one, Niobe loses her children, and
sorrow is added to sorrow, grief to grief, the gradual increase of
anguish thou didst well portray. But, my dear child, like the perfectly
carved statue, beautiful but not living, thou didst lack the power
to portray a mother’s grief. Then I saw it not; but to-day verily do
I believe that no one could perfectly act the part unless she had
suffered as I have.”
“In the mirror of the centuries I have never seen a reflection of
grief truer than thine, my lady.”
“Give me thine hand, dear Psyche,” exclaimed Agrippina. “How warm it
feels!”
“Thy hand is cold, my lady.”
“Ay; so is my heart.”
“Fearest thou further woes, my lady?”
“Ay, my Psyche. Two sons are still left me. Both are in prison. How
long will they be spared?”
“They will not die like Nero,” said Psyche, reassuringly.
“Ah! when my first brother was murdered, I thought the other two
would be spared, but they too fell under the malice of their enemies.
My sister has been banished, my mother starved to death, my husband
poisoned, my friends cruelly murdered; Nero, my beloved son Nero, has
been strangled. Now Drusus is in the dungeon on the Palatine; Caligula
is at Capri. Why, oh, why may I not die before I hear of their tragic
end? Ah, my dear child, I am like a branch burdened with maturing
fruits of grief, broken but living.”
“Words cannot comfort thee, my dear lady; let me sing thee a hymn. ’Tis
the one my mother was wont to sing when she wished to close my childish
eyes in sleep. ’Tis the hymn that has been sung for generations in my
fatherland.”
“Sit thou on my couch, dear child.”
Resting beside her mistress and with the tips of her fingers gently
stroking the extended arm of Agrippina, Psyche sang a sweet melody. It
was a song that had been nourished on the sacred mountain heights of
Greece and had been watered from the immortal fountains of maternal
love. Borne on the soft rhythm of the tune, the words appeared like
flashes of calm light on a river of melody.
“’Tis a peaceful song, my child,” said Agrippina, as Psyche’s voice
died away in a whisper.
“Ah, my lady, my father taught us that the music and poetry of Greece
always touch the soul. He also taught us that life is a continuous
song. There are melodies of solitude, of submission, of purification,
of passion, of desolation, and of despairing grief. Some of the music
is discordant to the ear of youth. ’Tis not until we are aged that we
understand the true melody.”
“Ay, in Rome ’tis said that youth sees not that which he has to gain.
The old man dreams of that which he has lost,” said Agrippina.
“Would that we had a copy of Plato, dear lady,” said Psyche, dreamily.
“Then could I read to thee soothing truths for thy soul. But I weary
thee,” she said, as she arose. “May sleep breathe on thine eyes sweet
forgetfulness!”
“The gods watch over thee, my child!” responded Agrippina.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account