Psycho Vox; or, The Emerson System of Voice CultureEmerson, Charles Wesley
Science
Psycho Vox; or, The Emerson System of Voice Culture
Emerson, Charles Wesley
Voice
The mission of the voice is to communicate to others what is in the soul
of each. The eyes of no two persons receive the same rays of light. All
men know more than one man, because each person has his own individual
point from which to view life and the world. If we listen not to the
report of others, our lives will contain but little truth. A person with
a grand intellect lies as open to the thoughts of others as the placid
lake to the stars which it nightly reflects. Narrow minds will entertain
only those thoughts which come to them through some channel in favor of
which they maintain a prejudice. The receptive mind will “prove all
things” by entertaining all things, and then “hold fast that which is
good.”
This power to communicate thought through sound is beautiful and
mysterious. A person listening to an orchestral composition often finds
that the thoughts awakened in him correspond to those which inspired the
composer.
I know that Beethoven believed in God’s government on earth, because
once while listening to one of his compositions, which no words
accompanied, visions arose before my mind. I saw the early condition of
this world; I heard a sound as if a thousand wild animals were tearing
each other into fragments with snarls, and yells, and fierce cries. The
blood was flowing, and their eyes were shooting fire. I next saw men
tearing each other as the beasts had done before. I saw the glitter of
arms and the coats of mail; I saw the onset and heard the shock of the
charge. I saw men fall, and then there went up a groan of agony which
finally merged into a cry toward heaven for help. It was a universal
prayer of suffering humanity. Then there came a voice to which all
heaven seemed to contribute, a voice that was helpful, a voice of
forgiveness, a voice that seemed to soothe the cry of agony, and fully
answer the prayer. Old things had passed away, and behold, all things
had become new. There was a new heaven and a new earth wherein dwelt
righteousness. Human beings I saw, not as “trees walking,” but as gods
crowned with love, glory, and immortality.
It was then I was made to realize what the apostle meant when he said he
was caught up into heaven and saw things unlawful to utter,—not against
the laws of man, but above the laws of language. The composition of
Beethoven made me think what words could not tell.
In the poem, “_Aux Italiens_,” Owen Meredith describes the power exerted
upon the minds of others through a composition of Verdi when rendered by
Mario.
Of all the operas that Verdi wrote,
The best, to my taste, is the Trovatore;
And Mario could soothe with a tenor note
The souls in purgatory.
The moon on the tower slept soft as snow,
And who was not thrilled in the strangest way,
As we heard him sing, while the gas burned low,
“_Non ti scordar di me!_”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account