Psycho Vox; or, The Emerson System of Voice CultureEmerson, Charles Wesley
Science
Psycho Vox; or, The Emerson System of Voice Culture
Emerson, Charles Wesley
Voice
Vital organs, relation of the proper use of the voice to 40
Vital slide 110-112
Vocal cords, description of 14
Vocal cords, cuts of 17
Voice, the natural reporter of the individual 1-12
Voice defined 13
Voice, cause of 13
Voice, methods for cultivating the 72-88
Voice, right direction and freedom of the 72, 73
Voice, quality of 91
Volume of voice 105-107
* * * * *
THE WORKS OF
CHARLES WESLEY EMERSON
* * * * *
PHILOSOPHY OF GESTURE
or, EXPRESSIVE PHYSICAL CULTURE
The psychological and physiological basis and teaching principles of the
Emerson System of Expressive Physical Culture and Responsive Drill-Value
of Art Models, Aesthetic Laws of Expression explained with illustrations
drawn from classic art.
* * * * *
PSYCHO VOX
or, THE EMERSON SYSTEM OF VOICE CULTURE
Considering the voice as the natural reporter of the individual. The
relation of the proper use of the voice to the nervous system and to
health. Exercises for securing freedom and proper direction of tone and
for establishing right habits in the use of the voice.
* * * * *
PHYSICAL CULTURE
How to attain health, strength, grace and beauty, bodily education
without the use of apparatus. Thirty-eight illustrations prepared
especially for this work. A hand book for student and teacher.
* * * * *
EVOLUTION OF EXPRESSION
Four Volumes
Selections chosen from classical literature. Explanatory notes for the
study of each chapter. Compiled with special reference to the needs of
teachers and students of both literature and expression. The only
published work on the principles underlying the Emerson System of
Oratory or Expression.
* * * * *
THE PERFECTIVE LAWS OF ART
Four Volumes
A compilation of selections illustrating the sixteen perfective laws of
art applied to oratory. This work is adapted to the use of all advanced
students in expressive reading. It consists of sixteen chapters, with a
key to the study of each chapter.
* * * * *
Public-domain text, read in full here on John Shaqi.
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