Psychological WarfareLinebarger, Paul Myron Anthony
History
Psychological Warfare
Linebarger, Paul Myron Anthony
Psychological warfare
=Theater Psychological Warfare.= The Japanese had superlative close-knit
psychological warfare staff organization within metropolitan Japan. They
possessed many first-class field operators, first among them the
true-life master-mind Major General K. Doihara, whose dinner guests
often woke up the next morning with bad hangovers and high treason on
their consciences. But the Japanese did not have adequate channels of
communication, supply, and control between their smooth system at the
top, and the working propagandists at the bottom. The _Kempeitai_
(military-political gendarmerie) structure got in the way; Japanese
propaganda lines lost touch with the strategic realities of their slow
defeat. They did, instead, what any propaganda system does on the
downgrade; they turned to repression instead of counterpropaganda with
the inevitable result.
In contrast, the American psychological warfare structure included
Theater operating units, usually called PWB (Psychological Warfare
Branch), although it became PWD (Psychological Warfare Division) in
SHAEF and did not grow beyond TPWO (Theater Psychological Warfare
Officer) in China Theater. The supreme authority was, of course, the
Theater Commander, on whose responsibility the operation had to be
carried out. When propaganda bungled and got into the field of political
trouble, it was the Theater Commander and not the subordinates who took
the blame. Every theater was under the command of a general, except for
Central Pacific (under Admiral Nimitz, and he used an Army colonel as
his propaganda chief). In most theaters, the Political Adviser was the
buffer between psychological warfare and the commander himself; in
Southwest Pacific and later the Headquarters of the Supreme Commander
for the Allied Powers, Japan, General MacArthur instituted the office of
Military Secretary and made this officer responsible for reporting to
him personally the developments in the propaganda field.
Subject to local variation, the Theater agencies faced similar problems.
They had to serve in turn as a rear echelon to service the needs of
combat propaganda, while working as the actual operating agencies for
the bigger radio programs and the preparation of strategic leaflets. As
the areas behind them became more consolidated, displays and films took
their place beside news and leaflets as chores that had to be performed.
Communications facilities were a problem. Purely military facilities
could not, of course, be overloaded by the lightly coded transmission of
hundreds of thousands of words of political and other news and guidance;
the psychological warfare establishments had to jerry-build
communications facilities out of what they could borrow from Army, or
obtain from OWI supplies in the United States, or buy locally.
Public-domain text, read in full here on John Shaqi.
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